Night Prowler

Ovaj Tipsarevic nije normalan.

Ala gadno zvuci Serj... Njace non-stop... Ali bi ih svejedno gledao da imam priliku

http://www.youtube.com/watch?v=zX3Fo4ESt3I

PARADOX Rejoined By 'Collision Course'-Era Rhythm Section Sta sad bi, resili ipak da se ne raspadaju?

Pusti ga, ne vredi se raspravljati

Sto se mene tice: Fabio da bude full-time i u Kamelotu i ROF-u, a Vision Divine da napusti i da se vrati Michelle Luppi.

Jebe lud zbunjenog, Cyriis im pevao na Sweden Rock Festivalu.

Rhapsody ne ide na oprostajnu turneju, niti se raspadaju, niti im je poslednji album, vec poslednji deo neke konceptualne sage koja je pocela na Legendary Tales. Bice jos dosta albuma i turneja.

Napustio je bend zvanicno - razlog: postao religiozan.

Koliko kenjanja po temi oko ovog projekta, niko nije ni sekund cuo a vec pocinje pljuvanje.

Da.

Marko Bulat organizuje prvu "Star Wars" konvenciju u Beogradu

METAL Man i crusader84 - respect

Album kida, ali mi je prethodni ipak bolji. Prednost novog albuma je mnogo bolja produkcija bubnjeva. Fantasticne pesme: From Chaos To Eternity, Aeons Of Raging Darkness, Tornado - Sea Of Fate, Crystal Moonlight, Reign Of Terror, On The Way To Ainor, The Frozen Tears Of Angels Dobre pesme: Tempesta Di Fuoco, Ghosts Of Forgotten Worlds, Anima Perduta, I Belong To The Stars, Heroes Of The Waterfalls' Kingdom - Danza Di Fuoco E Ghiaccio, Raging Starfire, Lost In Cold Dreams Smor: Ad Infinitum - Dark Frozen World Prostom racunicom TFTOA pobedjuje

Bas sam nasao sa kim da se raspravljam... :haha:

Slazem se potpuno

Bolje da se raspadnu nego da vrate raspalog Polanda. I Broderick je mnogo bolji u komponovanju pesama nego Marty - ko je slusao Jag Panzer zna o cemu pricam - jos samo kad bi mu Mustaine dao vise prostora. I kakvi bre dzezeri u Megadethu

Jedini Maiden best-of-ovi koji vrede su Best Of The Beast i Ed Hunter. Ostalo je beskorisno smece.

http://www.youtube.com/watch?v=EzIRcfXbaTo

Sve sto ima na tome vec imam... Beskorisno sranje, jedino sto je omot dobar. Nadam se da ce biti turneje fokusirane na albume iz 90-ih.

It was an improbable match: Lou Reed's cutting-monotone voice and explicit stories of desire and despair, lashed to Metallica's apocalyptic charge. It is now a perfect fit. In a recent rapid series of sessions at Metallica's studio north of San Francisco, the New York king of avant-rock and the world's bestselling thrash-metal band have recorded a new studio album together that is unlike any either artist has made before. The record, not yet titled, features 10 songs composed by Reed with significant arrangement contributions by the band that suggest a raging union of his 1973 noir classic, Berlin, and Metallica's '86 crusher, Master of Puppets. "A marriage made in heaven," Reed says in his first interview about the project, in the studio lounge during a break. "I knew it from the first day we played together: 'Oh, man, this is perfection, right in front of me.'" "I don't think we've ever felt this free," Metallica drummer Lars Ulrich says, sitting next to Reed on a couch. "There's nothing that's totally outside of the boundary for us, nothing that feels like 'Oh, what happens if we go there?' The strength of us" – he gestures at Reed – "is it feels like we cannot land on a wrong place." "They're bringing Metallica, with all that power," Reed confirms. "And because they're pretty sophisticated, wherever I go, they're still with me." Reed and Metallica first played together in October 2009, at the 25th Anniversary Rock and Roll Hall of Fame concerts in New York. Ulrich, singer-guitarist James Hetfield, guitarist Kirk Hammett and bassist Robert Trujillo backed Reed on two of his classic songs. "We knew from then," Reed says, "that we were made for each other." He and the band first planned to cut an album of his older material, "fallen jewels that no one remembered," as Reed puts it. That changed a week before Reed showed up at Metallica's studio. He called the band, proposing a record of songs he'd written for Lulu, a theatrical production of stories by the German author Frank Wedekind, directed by Robert Wilson and currently running in Berlin. "Lars and I listened to the stuff," Hetfield says of Reed's demos, "and it was like, 'Wow, this is very different.' It was scary at first, because the music was so open. But then I thought, 'This could go anywhere.' " Metallica started writing parts built from vocal rhythms and electronic patterns on the demos. The result is at once unpredictable and viciously tight. "Pumping Blood" opens with a drone that breaks into a crunching march, goes into speed-metal gear and breaks into free-fall sections – all over seven minutes, cut live in one take. Another track, "Mistress Dread," features Reed singing across a relentless staccato riff played at manic velocity. "It doesn't feel like we're his backup band," Hammett claims. "It feels like we're a different band, in a situation we've never been in before." And, Trujillo notes, "it's making us a better band." Ulrich says the album is "90 percent" finished. But there are no release plans yet. Reed does not have a record deal, and Metallica are no longer on Warner Bros. "We are free to go wherever," Ulrich says. "I'm obviously psyched for people to hear this, in whatever way we feel is right." Hetfield has one condition. "I told Lou I want to be there when people hear it," he says, grinning. "I want to see their faces." Nadam se da ce da snime normalan Metallica album posle ovog.

Ja najvise volim onu verziju sa '98 Live Meltdown. Ova verzija zvuci fino i mislim da je prilagodjena Halfordu jer moze da izbegava visoke note.

Bolje i ovo nego petomilioniti prog album sa Portnoyem. Mislim da ce biti OK album.