Night Prowler

OTISAO EDU :rockdevil: :rockdevil: :rockdevil: http://legacy.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=174437 VRACAJTE MATOSA ODMA SADA ODMA

Bolji mi je od Violent Revolution, mnogo slabiji od EOG i otprilike na nivou Hordes.

Bas sam preslusavao diskografiju poslednjih dana posle duzeg vremena, nece oni nikada snimiti nesto tako dobro kao prva dva albuma IMO. Svidjaju mi se i ovi sa Petrijem ali nisu ni blizu kvalitetu prva dva.

ENSIFERUM ANNOUNCE NEW ALBUM ENSIFERUM, THE highly visual troupe who’ve long been a market leader when it comes to stirring, armour-plated anthems, will have their fifth studio album released through theSpinefarm label on August 27th 2012. Titled ‘Unsung Heroes’ and produced by Hiili Hiilesmaa (HIM, Sentenced, Apocalyptica, etc.), this is the hour-plus follow-up to 2009’s ‘From Afar’, and sees the Finnish five-piece – founded in 1995 – pushing their signature sound to bold new heights of drama and excess. A cinematic experience from first note to last , ‘Unsung Heroes’ takes the listener on a journey of genuine light & shade, with the 16 minute-plus ‘Passion Proof Power’ showing that when it comes to the epic statement, Ensiferum are very much in the front-line, swords at the ready. “We’ve tried to push the different aspects of what we do as far as we can,” reflects the band, “the sonic scope is wider than ever. The folk elements go further down that path and the metallic parts will absolutely rip your face off!” Once again, album art has been supplied by Kristian Wahlin, with featured special guests including members of Apokalyptischen Reiter plus legendary Finnish singer & actor, Vesa-Matti Loiri. Album Track listing: 01. Symbols 02. In My Sword I Trust 03. Unsung Heroes 04. Burning Leaves 05. Celestial Bond 06. Retribution Shall Be Mine 07. Star Queen (Celestial Bond part II) 08. Pohjola 09. Last Breath 10. Passion Proof Power

Ma koliko voleo Helloween sa Derisom, videti Helloween sa Kisketom bi stvarno bio dream come true Ne moraju ni da snimaju novi album, samo nek odu na turneju i cepaju prva 3 albuma i meni dosta.

!!!!! NEVERA !!!!! DA NE RASPUSTE POSTAVU SA DERISOM, A OVO DA BUDE ONE-OFF REUNION I DA BUDE ZIMMERMANN ILI KUSCH UMESTO LÖBLETA

Another groundbreaking news for all guitar worshipers: We welcome, on Saturday, July 14, two bands certain to satisfy all the die-hard Hardcore fans’ needs: Suicidal Tendencies and Hatebreed!

Oplakah ovo: http://www.njuz.net/direktan-prenos-finala-lige-sampiona-bajern-celsi/

Aca svrsio na ovaj gol Celsija.

Bez Warda ne zasluzuju prvo mesto na plakatu.

AAAAAAAAAAAAAAAAAAAAAAAA Prepao sam se da je sve otkazano, ali ostadose sva 3 benda koja me zanimaju

Drummer Bill Ward has been removed from all the photos on the homepage and gallery section of BLACK SABBATH's official web site after he announced that he was unable to to reach a contractual agreement with his bandmates about participating in their upcoming reunion shows. Pa picka li vam materina nezahvalna.

Onaj poslednji black album je fin, ali su u principu sve re-recordovane pesme x puta bolje na Celebration albumu.

Pronadjoh Archidoxes Of Evil, pa kome treba... http://depositfiles.com/files/cf6nmc9kh

Otpušten Keni

Dear Sabbath Fans and Fellow Musicians, I sincerely regret to inform you that after a final effort to participate in the upcoming Sabbath shows a failure to agree has continued. At this time I have to inform you that I won’t be playing with Black Sabbath at the Birmingham gig dated May 19th, 2012, nor will I be playing at Download on June 10th, 2012. Further, I will not be playing at Lollapalooza on August 3, 2012. It is with a very sad heart that I bring you this news. I am sincerely passionate in my desire to play with the band, and I’m very, very sorry that it’s fallen to this. This statement is even more painstaking to write, as I was particularly excited to play alongside Tony Iommi after the recent treatments he underwent. I wanted that to become a reality. To express my thoughts about you, the Sabbath fans, I’m going to speak to you all through an experience my brother James had recently. My brother Jimmy lives in the U.K. When speaking with him a couple of days ago, he told me that an acquaintance had stopped him on the street and confronted him, “is your brother playing Birmingham? What’s going on? I waited in line with my son and paid x amount for the concert tickets.” The man’s son is a young drummer. He’s going to see Sabbath, and he wants to see Bill Ward play drums. Upon hearing this news, I felt horrible. I couldn’t help feeling some resentment towards the failure to reach an agreement, the failure to remember where we came from, the failure to be as brothers, as we once were. To be clear, I’m not blaming the other guys or finding any faults with them. I would think it can’t be easy for them either, but this situation is just really sad. It’s sad that it’s come to this. “This” will surely leave a mark and be unwelcome to the memory. Hopefully “this” will heal and pass in time. My heart sank when Jimmy told me about this young boy. I know this boy is going to be disappointed, and I don’t know how to amend it, other than to put my arms around the boy and tell him I love him. Sabbath fans have a voice and a face, to me you’re human, you have families and despair. You have ferocity and emotions and graciousness, and at this moment as far as I’m concerned you are also that young boy in England. I don’t know how to amend my part in these failings other than to put my arms around you and say I love you and let you know I’m very, very sorry. Throughout this process, which began over a year ago, I have had to stand up for myself time and time again. I have had to stand up for myself and in doing so realize my actions indirectly, although unintentionally, are upsetting and hurting a lot of you. I know in my heart I couldn’t have done these concerts by agreeing the terms suggested. I made a solemn vow after the last European and Ozzfest concerts that I would never again enter into what was, in my opinion, a totally unsatisfactory contract. I have to stand for something, and as painful as it is, I’m doing it. Earlier in April 2012, I’d been asked to participate “minimally” in the Download festival. I believe I’d been offered no more than three songs to play while another drummer presumably played the rest of the show with Black Sabbath. I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs. I found out about the Birmingham gig on Monday, April 30 through the Internet ad. I was taken aback somewhat by the date, and the fact it was Birmingham. Knowing the “signable” contract negotiations were at best in shreds, I was upset by the idea that the band was going to play Birmingham and play it assumedly without me. I had no prior knowledge of the date and location, and I felt totally excluded. We contacted the representative for Black Sabbath to see if something could be worked out. In the meantime my drum crew and I, along with our US endorsers, finished all the necessary planning for a swift departure to the UK. There wasn’t a whole lot to complete; we’d all been on standby more or less since mid-January 2012. The remaining work in the UK was confirmed done by our European and UK endorsers and we were good to go by Friday, May 4 2012. There were two stress points: firstly, getting an agreement in place, and secondly, getting to England in a timely manner. Jetlag time was taken into account as well as drum practice, a drum practice room in the heart of Birmingham, accommodation, and travel arrangements were all in place to meet with any band rehearsals that may have transpired before the Birmingham show. So far everything that had been arranged was on my dime, but we didn’t move ahead without a realistic confirmation. Communications between the representative and my lawyer continued through the weekend of May 5 finalizing on Wednesday, May 9. The offer we received on May 9 was, “come to the UK, play for free and see how the first show goes.” I was tempted. Playing for free would not have been a problem for me, but “seeing how the first show goes” left an element of risk which could have affected Download. My ideal thought was to play in full the Birmingham show, in full Download, and in full Lollapalooza. I had notified the representative that May 10 was my cutoff day in order to have good lead-in time for England. On the night of May 9 I asked for a brief letter to be sent to the representative asking to find out if we were at an end. On the morning of Thursday, May 10, I received a reply in the affirmative. After consulting with my advisors and crew a decision was made to let go and stop. I can’t prioritize the Sabbath fans making one show more important than the other. I can’t do that. All of you are important. It’s all the gigs or none at all. I can’t come to Birmingham and “see what happens” knowing there is a risk of not being able to play Download or Lollapalooza. Again, for me, it’s all or nothing. I had to say “no” to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham. It’s still my hometown and I resent having to arrive at such a difficult choice. Although the statement was made that, “the door is always open” for me, as explained above, walking through that door is not always as easy as it sounds. There are many complicated issues and unseen and unspoken agendas on hand. I can assure you, my criteria for a “signable” contract is based in mindful principles, respectability, and acknowledgement of my history within the band. I hold no malice or resentment towards the other band members. I love them; I’m tolerant of them; I’m frustrated with them, as they may be with me. My fight has never been with them. I’ll love them forever. In my opinion, nobody wins this time; the band doesn’t win; the fans for an original lineup don’t win. Nobody wins, nobody. Even the ones who thought they did. I didn’t want to make this decision, but I have to be honest and transparent. This is the statement I didn’t want to write; it’s the last thing I wanted to do. But, I have written it, and now it can go into the universe. Since Spring of 2011, I’ve waited patiently and hopefully for a signable contract, you know the rest. I stand for the boy in the U.K., for the coming drum student, for all the drummers, who write their parts out and get stiffed on the publishing, I stand with the Sabbath fans chanting “Bill Ward” and asking “why?” and I stand with Tony and Geezer and Ozzy. On a final note, even though I’m at an end with the upcoming announced concerts, I will remain with an open mind and a position of willingness to negotiate “signable” terms with Sabbath’s representatives in the future. Stay strong. Stay safe. With all my heart and strength, I love you, Bill Ward

http://www.youtube.com/watch?v=cNPQrMH_pms

E U KURAC CRKLI I DZEKO I AGUERO DABOGDA

ICED EARTH's August 19 concert at the ancient Kourion Amphitheater, outside Limassol in Cyprus, will be professionally filmed and recorded for an upcoming CD/DVD release. Tickets for the show are limited to 1,500. The show will be three hours in length and all on-stage scenery and artwork will be uniquely created for this special event. Veteran producer Jim Morris of Morrisound Studios (ICED EARTH, SEPULTURA, MORBID ANGEL, DEATH, SAVATAGE) will fly from Tampa, Florida to supervise the entire audio section with the help of the ToneDeaf Recording Studio.

EXODUS: Three-Guitar Attack Planned For Belgium's GRASPOP METAL MEETING

KREATOR, ACCEPT To Join Forces For 'Teutonic Terror Attack' North American Tour

http://www.youtube.com/watch?v=APGnJNqqDLk