Verbat

Prvi album je bio los, a valjda novi bude bolji.

Azal ide na ProgPower i on je jedan od tih srecnika

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Mercenary ne moze da omane. Super je "Metamorphosis"

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Made in Sweden - Where Do We Begin (1976) @320kb/s 1. Where Do We Begin (4:27) 2. Manhattan Vibes (7:05) 3. Pop-Poem (3:38) 4. Our Man (5:02) 5. We Must Be Crucified (4:02) 6. Lady G (4:13) 7. Sometimes (1:49) 8. 43 sec. of Arc Per Century (10:02) http://www.megaupload.com/?d=W0KXWW56 Made in Sweden - Snakes in a Hole (1969) @320kb/s 1. Snakes in a Hole (4:38) 2. Lay Lady Lay (4:44) 3. Discotheque People (6:08) 4. Give Me Whisky (4:23) 5. Kristallen den grymma (4:50) 6. Little Cloud (3:41) 7. Big Cloud (2:59) http://www.megaupload.com/?d=3T5K1K64

Smradu posrani, ti bi odavno trebao biti banovan, a i krivicno gonjen, jer si najobicniji lopovcina.

Mislio sam da samo mentol Frubi stalno drzi ukljucen caps lock.

Mogu li da pitam, da li ce Frubi odgovarati sto krade nash i novac bendova, a usput se prema nama odnosi skroz nekulturno. Mi ne bacamo mrznju prema njemu, vec govorimo istinu.

Koja si ti budaletina kad mozes nesto tako reci.

Derek Sherinian - Molecular Heinosity (2009) @320kb/s 1. Antarctica (5:26) 2. Ascension (2:14) 3. Primal Eleven (7:56) 4. Wings of Insanity (3:50) 5. Frozen by Fire (5:21) 6. The Lone Spaniard (3:08) 7. Molecular (Intro) (1:03) 8. Molecular Heinosity (3:28) 9. So Far Gone (7:24) http://www.megaupload.com/?d=SRX5XVHG

Kako mi jebemo lose ribe ili nista ne jebemo. Kad vidim kakvih sve ribetina ima, dodje mi da se zamaknem

Ornette Coleman - Body Meta (1978) @320kb/s 1. Voice Poetry (8:10) 2. Home Grown (7:46) 3. Macho Woman (7:43) 4. Fou Amour (8:36) 5. European Echoes (9:40) http://www.megaupload.com/?d=QE0T8G4G Ornette Coleman - Free Jazz (1961) @320kb/s 1. Free Jazz (37:10) 2. First Take (17:02) http://www.megaupload.com/?d=Y7HMOGSQ

1. Jazz is music for grownups; it's for smart people; it's for creative people. (Like you, right?) 2. Jazz expands your mind. No kidding. There's a lot of depth in jazz. It's played by extraordinary musicians. 3. Jazz is fun. It can be great background music, create a romantic mood or stimulate creative ideas. You can even dance to it! 4. There's enough recorded jazz to keep you busy for a lifetime. 5. Jazz never gets old. Like wine, it tends to get better as it ages. 6. Pick your style. From swing to bebop, to avant garde to fusion, there's a style to suit every taste. (But please, smooth jazz is not really jazz, it's instrumental pop.) 7. You can order the majority of available jazz CDs online at reasonable prices. (Amazon) 8. You can download a huge amount of jazz legally at even more reasonable prices. (eMusic) 9. It sure beats watching television! Listening to great music renews you instead of draining you. 10. It's just cool to listen to jazz.

Drago mi je sto ti se dopada album, a i u pravu si za naziv benda, no to je cesto slucaj kod Jazz muzicara.

Fat Time - Fat Time (2004) @320kb/s 1. When John Meets Allison (5:01) 2. Dooie Kaas (6:26) 3. Blues for Herman (9:35) 4. Black Satin (Miles Davis cover) (8:50) 5. Jean-Jacques Octeau (5:29) 6. New Day (5:41) http://www.megaupload.com/?d=BEG033MI

Mozda jesu vise istaknuti u prvi plan nego neki drugi koji isto to zasluzuju. Slozicemo se da su Genesis (Gabriel era) odlican bend

ICED EARTH leader Jon Schaffer, hard at work in his studio, promises the next Iced Earth album will be “pretty fuckin’ heavy.” “I can tell you from the riffs and the attitude behind it,” he said, “this is going to be a bad-ass record. This is inspired, focused, and to the point.” The album – set for release later this year – will be Iced Earth’s tenth studio outing, and the first since 2008’s The Crucible of Man. Unlike Crucible and Framing Armageddon (which was released in 2007), the new album won’t be a concept. Instead, Schaffer promises a return to the raw-and-heavy sound of Iced Earth’s classic fan-favorite albums. “This is really heavy stuff,” Schaffer said. “It’s a kick in the nuts.” He added: “People probably think I don’t have it in me any more. But they’re going to be proved wrong about that. I can tell you this: we’re coming back with a vengeance. We’re out for blood.” This promises to be a grand year for Schaffer and company. Not only will Iced Earth release a new album (followed by a world tour – which management promises will take the band to countries it hasn’t previously played), but the band will also release its long-awaited six-hour, three-concert live DVD this Spring titled Festivals of the Wicked. In addition, the band just announced two new summer festival dates: The Ilosaarirock Festival in Joensuu, Finland, on July 16th, and the Sweden Rock Festival, on June 10th, in Sölvesborg, Sweden. With those two dates, Iced Earth has been confirmed to play a total of five summer festivals, including Wacken, Graspop, and Rock am Härtsfeldsee. More festival dates will be announced soon on the band’s official website, MySpace, and Facebook pages.

Avant Garden - Maelstrom (2001) @320kb/s 1. Dragon Feed (10:03) 2. Archemedes Tub (9:14) 3. Oceania (12:32) 4. Into the Maelstrom (7:57) 5. Path of the Farwinds (18:25) http://www.megaupload.com/?d=HFKXQ9AN

Jeff Babko - Mondo Trio (2007) @320kb/s 1. Head Trauma (7:00) 2. Vote 4 Morals (5:53) 3. Five Before Happy Time (3:36) 4. El Nino (8:10) 5. Akimbo (10:38) 6. Ride (5:02) 7. X Marks the Spot (4:22) 8. Young Dr. Jung (7:48) 9. Love Theme From Mondo Trio (7:50) http://www.megaupload.com/?d=EY78ZS5H

Percy Jones, Scott McGill, Ritchie DeCarlo - Percy Jones, Scott McGill, Ritchie DeCarlo (2010) @320kb/s 1. Menagerie Animoto (4:42) 2. Rumsfeld's Spleen (7:57) 3. F-Hole's Worth (3:35) 4. Polonium 210 Filter (4:40) 5. TWO by TWO (2:27) 6. 43 Letsby Ave. (5:51) 7. The Ghost of 47 Letsby Ave. (9:21) 8. Rising (Parts 1 & 2) (7:42) 9. Börgåsmord (2:52) 10. Definition Defied (5:51) 11. Days Fogged In (7:56) http://www.megaupload.com/?d=CIXBXEI9

Na zadnja 3 albuma nema skoro nimalo Prog zvuka.

California-based progressive power-metal act REDEMPTION’s guitarist Nicolas van Dyk has posted the following update: “Hello everyone. Time for a long overdue update on a few things! So sit down with this when you’ve got a few minutes .... it's an extensive update! First off, we are hard at work in pre-production for our upcoming fifth studio CD, which carries the working title of This Mortal Coil. The band was really happy with Snowfall On Judgment Day and so when it came time to put together new material, with our own expectations for ourselves always on the rise, we gave a lot of thought to how to deliver the goods and step up our game yet again. We have worked well with some excellent producers in the past and they have put their mark on our sound, especially Tommy Newton with whom we did two records and who we tried to involve early enough in the production process to help shape the records. But even with Tommy, most of the involvement came after we were finished with songs. For this record, I thought we could bring in an outside producer very early on. Someone to help shape the music and raise the bar for us, challenging our ideas and getting the best from the band. I knew I wanted somebody with a depth of experience that reflected the many things Redemption pursues in its music: melodic but heavy; intricate and complex when called for, but accessible; a bit of virtuosity but always in the service of the song. This is a tall order, when you think about it. We would need a producer, ideally, who had extensive experience in pop music but also maybe jazz fusion, had worked with somebody like Kansas, had worked with somebody like NEVERMORE, had extensive experience in heavy technical music (like, say, SPIRAL ARCHITECT or even somebody like NILE) and hopefully also had particular domain expertise in prog metal (maybe someone like QUEENSRŸCHE). Fortunately, such a producer exists! I am delighted to announce that we will be working on This Mortal Coil with Neil Kernon, whose extensive CV includes all of those bands. He has immense experience in song craft, creating compelling intricate music across a variety of genres. It's a great fit for what we are looking for right now. He is, simply put, a legendary producer and we are really fired up to work with him. Neil and I have known each other socially for several years, and actually about three years ago he called me and asked if Redemption would be interested in creating a "Rage For Order for the next century." Uh, YES, we would! However, at that time, we were already down the road with Snowfall on Judgment Day so I explained that we would have to table the conversation until the next record. And then, of course, I had to take a little time off for my medical adventure (I'll provide an update on this below ... things look good, though). So when the time came to consider how to make sure our next CD is our best (a goal we will always have!) I thought immediately back to that conversation. And as Neil and I spoke about the possibilities, it became obvious to us both that this could be a very special opportunity to make a really great CD. So we are really going to dig into pre-production together beginning just a few weeks from now and needless to say, I'm really looking forward to it! I've been working on the basic structure of the songs for a couple of months now, and the band is very pleased with how things are coming together. We are taking more time to explore different drum parts than we have done before, and working out bass and drum parts together in a more organic way than we have had the luxury of doing in the past. So the songs are in a bit of flux now, but at this point it looks like we will have ten or eleven tracks, with a fair amount of compositional diversity between them but all having the strong melody, the aggressive riffing and the sense of emotional and musical urgency that we hope is core to all of Redemption’s music. Some of the working titles include, ‘Noonday Devil’, ‘No Tickets To The Funeral’, ‘Rain In My Soul’, ‘Focus’, ‘Dreams From The Pit’, ‘Path Of The Tornado’, ‘Blink Of An Eye’, ‘Perfect’, and ‘Departure Of The Pale Horse’. This is not a rock opera but the songs are tied together, loosely, by the theme of confronting our mortality. You can imagine, given my medical adventure, that what I experienced would make its way into my songwriting. After pre-production, we'll get to tracking and mixing and all that good stuff. We are shooting for a fall release date, assuming all goes well. We're also planning some pretty extensive and cool bonus materials, which will be fun to do and which we think our fans will really enjoy. We also have some tentative plans right now to play out a bit more extensively than we did on the last CD in support of the record, and as things firm up I'll be sure to let you know. Finally, for those of you interested in the latest on my health, I continue to follow the very aggressive protocol of my brilliant doctor, Dr. Bart Barlogie, who is quite literally saving the lives of people diagnosed with Multiple Myeloma – he's the only doctor in the world who believes it can be cured. As of now, I remain in complete remission and have been there for around fifteen months. If I make it thirty six months, Bart's data shows I am almost certainly cured. So I continue to take three nasty meds to (hopefully) ensure I remain in remission. The odds at this point are very much in my favor. Incidentally, I have a different blood cancer than what Nergal of BEHEMOTH is battling, but a small part of the aggressive protocol I underwent consisted of two blood stem cell transplants that Nergal recently underwent. So that's it: healthy, working on new music with a great producer, and ready to deliver the goods! (And on that note, by the way, Neil has also worked with JUDAS PRIEST – haha). Thanks, as always, for your interest and support!”