Џрк

Ma ne znam kako je to spojivo i u death metalu, jos se ti bendovi sami proklamuju kao death metal, a hriscanski tekstovi. Jedini hriscanski bend koji mi se svideo i to bas je Believer, sva 3 albuma su dobra.

Ajde thrash ali death i black christian?! Wtf=?! To prosto ne ide jedno sa drugim, jer zna se sta ideoloski cini jedan death i black bend. Ako gledamo celo pakovanje, to ne moze jedno sa drugim, e sad druga je stvar sto ti ljudi vole recimo black a veruju i u Hrista, ali to je samo po sebi nespojivo.

Ne mora, ali kazem da je to moja istina, da barem ja uzivam tako (u onim bendovima koje stvarno volim, ne usputnim). Ne pricam ja samo o muzici, vec da svaki covek ispunjava zivot necim iznutra, na kraju krajeva. Da bi ti uzivao u muzici( ne u nuspojavama, tipa sise, sex u spotovima i sl) tebi muzika mora da dodirne unutrasnje culo, samim tim deluje na tvoju psihu, nesto sto nije dodirljivo. Kako0 to drukcije ti mislis da se moze uzivati u muzici? Danas, imam mnoge stvari koje bi samo mogao da zelim kao klinac, ali nisam srecan kao kad sam bio klinac, o tome pricam, na primer. Sve se na kraju reflektuje na unutrasnje ispunjenje( ne mesati sa konformizmom, nisu iste stvari, ako imas vise novca ne mora da znaci da si srecan vec da imas konformniji zivot, dokaz - ja). A ja smatram duhovnim, da ne bude zabune, ono sto nema veze sa materijom. Kad kupis dobru knjigu, nece te to oraspoloziti, vec tek kad je procitas. Verovao ili ne, kad god se nalazim u bedaku, pustim neku muziku( death metal, nije bitno koje bendove), ja se tooliko oraspolozim slusajuci je.

Snimak, a? SNIMAK, A?!?!?!

Fiery, ja smatram da cim uzivas u necemu( sem u prostim ljudskim nagonima, jbg izgleda me uhvatilo to Treyovo(Morbid angel) "spirit over flesh" ) to te ispunjava duhovno( mislim, kad imas taj osecaj u sebi, ne kada si srecan jer si se sit lepo najeo ili si karao, ta sreca te nece dugo drzati). Totalni nihilizam nije za mene( ocigledno, jer mi je slusanje muzike jedna od glavnih stvari u zivotu trenutno, a ne samo usputna stanica kao kad menjas TV kanale). To je trenutno MOJA istina. Ti sam pronadji svoju

Ja ne verujem isto, ali to sto ne osecas npr. nije dokaz da ne postoji. Ni muziku ne mozes da dodirnes, duh koji iz nje izbija, pa je ipak tu. Slicno i za osecaj koji stvara slika ili poema. Ja to gledam ovako, neka moja teorija. Verovanje u bozanstvo je nastalo tako sto je neki lik jednostavno hteo da stvarima da svoje znacenje, tipa da dobro krsti i olici u vidu Boga, a zlo u vidu Satane. Igra simbolima. I tako jos za masu stvari. Znaci, jednostavno, to label it. E sad, da li je to uradio sa namerom da druge potcini( svi znamo uzajamnu povezanost Crkve i vladara u srednjem veku, "dark ages") ili je to tokom vremena neko jednostavno preuzeo, nije ni bitno. Poenta je ja vise na to ne gledam kao na laz( da nas neko laze) vec jednostavno na sistem verovanja. On sam po sebi nije los po mene, sem ako neki manijak ne dodje u facu da mi nabija da je to svemoguca istina. E sad, sto taj sistem verovanja ljudi smatraju svemogucom istinom ( vernici) ili lazi( ateisti), e to smatram za glupost. To je kao ona prica kad su Zemljani dosli na neku planetu i videli da se domoroci mole krompiru, i kao "pa zar vi verujete u obican krompir?". Naravno, mnogobozacke ili ne, ovo sto pricam vazi i za ostale religije( tj. ta moja "teorija"). Jer ja mislim da svrha sistema verovanja jeste ili treba da bude da vas uzdize kako duhovno tako i na drugim poljima, da vam digne samopouzdanje, a ne da ga unizava. Stoga mi postaju smesni bendovi tipa Destruction, celu karijeru pisu kako ih Hriscani maltretiraju i kako je to laz, a ne vide malo siru sliku. IMO Znaci, verujte i u krompir ako treba, ako vam to pomaze. Koliko puta se recimo sigurnije osetite kad kazete ono tipa "joj molim te Boze, daj da dobijem 2" ili te fore , e tome sluzi sistem verovanja, kad sami sebi niste dovoljni ( naravno, nemojte da me hvatate za ovaj primer). Ja generalno ne osecam prisutne religije kao svoj sistem verovanja, stoga ne verujem ni u sta. Trenutno. Mozda napravim i svoj sistem. Home made God, fak yea Takodje, i druga krajnost je sranje. Totalni Nihilizam. Rodis se i umres. Kraj, nista duhovno ne postoji. Stoga, ti ljudi bi trenbalo da ni ne slusaju muziku, ne citaju price, bajke, pesme ili da uzivaju u necemu. Sranje. Zivot je tu da ga ucinis vrednim zivljenja, da ga ispunis. Znamo svi da cemo da krepamo jednog dana, ali bar treba uciniti vreme do toga sto ispunjenijim i zanimljivijim, da ti ne bude zao.

...ili im das u naturi. Ili.

Po cemu mislis da su slabe? Ja mislim da su totalno ok.

Jebac

Soulfly, Morbid, Slayer, Destruction/Candlemass, Napalm Death, Exodus, (Tankard); ne tim redosledom naravno.

Retroaktivni tekstovi

Hehe, da Morbid angel forum, ima tamo jedan lik, znaci cim nesto izadje na Blaberu on postuje, ovo mi se ucinilo interesantnim.

TESTAMENT Guitarist Records 'Latin' Version Of 'Practice What You Preach'; Audio Available ALEX SKOLNICK TRIO, the band led by TESTAMENT guitarist Alex Skolnick, will release its new album, "Last Day In Paradise", on March 15 via Magnatude Records. The CD consists of seven original compositions along with three arrangements of hard rock "standards" (a concept upon which the trio has built a strong reputation as an instrumental group that appeals to straight ahead jazz fans and rock fans alike). Feeling the inspiration of European jazz and other influences, the group has now gone beyond the limitations of the traditional guitar trio format on many of the songs, incorporating electronic loops ("Last Day In Paradise"), vocal melodies ("Mercury Retrograde") and slide guitar ("Western Sabbath Stomp"). There are also special effects, bowed bass tracks and other studio embellishments, resulting in their most original and cutting edge album to date. The new album also includes a Latin version of the TESTAMENT song "Practice What You Preach" (which Alex originally co-wrote) and a live electronica-inspired version of RUSH classic "Tom Sawyer". "Last Day In Paradise" track listing: 01. Mercury Retrograde 02. Last Day In Paradise 03. Tom Sawyer (mp3) 04. Shades Of Grey 05. Practica Lo Que Predicas (Practice What You Preach) (mp3) 06. The Lizard 07. Channel Four 08. Revelation Mother Earth 09. Out There Somewhere 10. Western Sabbath Stomp Check out more audio samples at this location. THE ALEX SKOLNICK TRIO was born in 2001. A heavy metal guitar hero with the San Francisco-based group TESTAMENT, Alex had decided to leave the Bay Area, move to New York, soak up the jazz scene and go back to school to earn his music degree from New School University. It was here that he met a young drum prodigy named Matt "Zebar" Zebroski who, as it turned out, had been a TESTAMENT fan as a youth in Pittsburgh. The two began rehearsing regularly, practicing standards and reviewing homework assignments. Within a few months, they hit upon a magic formula: songs of their youth, reharmonized and revamped to incorporate high level modern improvisation. A short time later, the trio had versions of KISS, AEROSMITH, OZZY OSBOURNE, THE WHO and more, as well as original compositions and were covering a wide range of musical styles: swing, funk, Latin and moments of John McLaughlin/Jimi Hendrix/Miles Davis-inspired intensity. Their debut recording, "Goodbye To Romance: Standards For A New Generation" (Skol Productions), was released in March 2002. Anticipating a less than enthusiastic response from mainstream jazz media, the group was pleasantly surprised when, less than a month later, an entire column was devoted to the album in Billboard (Jazz Notes; April, 2002). Within a year, "Goodbye To Romance" had been awarded 4 1/2 stars by Downbeat (March, 2003), was featured in magazines such as Jazziz (March and April, 2003), The Village Voice (February 26th, 2003) and more, had reached #26 on the JazzWeek radio charts (August, 2002) and was listed as a "Top Seller" on the on-line retail site CDBaby. Alex and the TRIO performed at such notable music industry conferences as CMJ (New York, NY, 2002) and at SXSW (Austin, TX, 2003) and toured throughout the country to packed houses in such places as Cleveland, Boston, Chicago, San Francisco, Texas, New York City and the Rochester International Jazz Festival. They've since appeared live on XM Radio, Fox Morning News, Brother Wease, and many other radio stations, including WNEW (New York), WCPN (Cleveland) and WGMC (Rochester). The next trio release was in "Transformation", the group's debut for Magnatude, and the first with new bassist Nathan Pack. "Transformation" continued the the concept of the first album, with arrangements of music by DEEP PURPLE, JUDAS PRIEST, PINK FLOYD and others, but also placed more emphasis on the groups growing repertoire of original compositions. Great reviews followed, including Jambands.com, who said "By taking charge and writing more originals tunes on this album than the first offering, the group has been able to grow exponentially." AllAboutJazz.com compared Skolnick to jazz/rock pioneer Larry Coryell: "Like Coryell, Skolnick demonstrates that translating the energy of rock to a jazz context can be a more subtle thing, showing that you can imbue more traditional trappings of swing, modal playing and richer harmony with an edge that doesn't spoil their essential purity. 'Transformation' is a surprising record that succeeds on many levels and proves that it is indeed possible to shift gears mid-career and sound like you've been doing it all your life." "Last Day In Paradise" begins a whole new chapter for ALEX SKOLNICK TRIO. Many of the songs reflect a collective feeling of disillusionment with the state of the world. On the liner notes, Alex writes: "The title 'Last Day In Paradise' represents a philosophical outlook. While every era has had its share of troubling global events, what has happened in the world in the last few years, on bath a political level and a social one, has been more disturbing than any period I can recall in my life. Indeed, it's time we learn to live everyday as if it is our 'Last Day In Paradise.'" Ja poslusao Practice, blesavo je.

Haha, da. A nema razloga ni za jedno ni za drugo, znajuci da je Mick metalac u dusi plus sto ovo nije prvi put da se koristi PT u extremnom Metalu.

Jeste, zvuce nekako kao zli umetnici( jeste gay izraz, ali kapirate sta pricam, za neke bendove kad ih slusate jednostavno imate osecaj da je to 'umetnost').

Sacekajmo, pa cemo videti. Veruj mi, nije mi problem, ako bude sranje zvuk, pridruzujem ti se u pljuvanju

Mick je dobar gitarista.

Neuro brate, 'logika' ti je pomerena skroz. Tom 'logikom' kuda god prodje Karleusa ja ne bih smeo da idem ili sl . Linkin koristi gitare, omg, sad necemo da sviramo na gitarama, ma bljak! Pro tools nije nista strasno, pa Erik Rutan, glava Hate Eternala, drzi Mana studio, i izmedju ostalog imaju i Pro Tools kurs. Za Hate Eternal je koristio Pro Tools, a ti budi seronja pa reci da HE ima 'necovecnu' produkciju. Meni definitivno nije najjasnije sta PT radi, ali sta ima lose ako ga porede sa Photoshopom? Pa svaka ziva slika se obradjuje u shopu...

Ne serite za Joey-a. I on je death metaler, to sto mozda pozerise( ne bih znao, jer ne pratim Slipknot) je manje bitna stvar. ALi zna do jaja da kuca, slobodno bi mogao da svira u techy dm bendu. Ono sto sam cuo od Slipknota je da bubnjevi imaju prizvuk dm-a, kao i gitare( neki rifovi podsecaju na Immolation). A sto je toliko lose sto su koristili Pro Tools, reci mi?

Jok, Mick je odsvirao solo. Sto vam smeta, sta fali.

Mnei se svidja, samo ne ovaj obican font za naziv albuma.

Slazem se. Heartwork je malo previse cheesy u nekim momentima, ali odlican album( ne svidja mi se pevanje, lik kao da sapuce pa da je pojacan, nema one sirovosti i besa sa Necro-a).