RNA

E, baš su do jaja jeftine stvari! 7" singl za 1500 dinara (25 evra)! Za te pare ću nabaviti onaj japanski disk.

Dobro, to je tačno, ali Toni Skaljone je bio samo zamena Dejvu Lomardu na jednoj jedinoj turneji. Nikad nije bio stalni član Slayera, niti je išta snimio sa njima. Ali, tačno. Sve moron do morona. Mastejnove izjave pre 1995. ne treba uzimati za ozbiljno jer je tad bio gadno na drogi i alkoholu. Skot Jan je baš pravi čovek da priča o metalu. On je već 1991. prestao da svira metal. A koliko njegove reči imaju opravdanja, možemo da vidimo iz današnjeg statusa Anthraxa i Testamenta. Haneman me već iznenađuje. Obrni okreni, nije lepo tako govoriti o bendu koji je sa njima svirao na Clash of The Titans. Zašto su ih onda koji andrak i zvali da sviraju?

Evo ja ću da kažem: ubij se. Joj, ja kad bih prespavao Testament ne bih se živ vratio u Beograd. Jedino bi me možda Dunav dovaljao do tamo.

Samo za japansko tržište... Pih, za to se prvo treba pomučiti da nađeš (meni nije neki problem), ali nisam toliki fanatik da dajem 25 evra samo za još jedan live snimak. Radije bih uzeo tu singlicu, joj. Nego, nabavio sam konačno i "Cracked Brain" na ploči i moram ti reći da uopšte nije toliko loš album, naprotiv.

Ne, ne "The Final Curtain"!!!!!!!!!!!!!!!

Evo i moje recenzije u kompletu, na engleskom (tako će ići i u fanzin): METALLICA St. Anger Universal 2003 Could this be the lowest point in Metallica’s career? I doubt it. Somehow I fear there are far worse things to come, but “St. Anger” is certainly a downfall from the mediocrity of “Load” and “Re-Load”. Somewhere along the road I stopped impatiently anticipating the new Metallica albums (I believe it was in 1996), but I still wanted to be open minded about this album and see if all those words about them going back to their roots were true. They weren’t!!! Expecting Metallica in year 2003 to go back to what they played 15 and more years ago sounds just plain silly. Why would they do that? For whose sake? For the sake of those people that worshiped them when they used to deliver good music and were down-to-Earth guys? If that’s the case with you, I think you’re missing to see what is Metallica about today. For all those who expected something truly refreshing and angry from this once great band, it is only fair to do this review. They still have that powerful name that used to mean something, and it still symbolizes metal for the people that don’t listen to it (at least here it does). They didn’t even bother to warm up the hopes of those who still expected that ‘something’ to happen. No, they shattered them to pieces from the very start. The brief guitar intro suggested that the only kind of guitar sounds you’ll be able to hear here would be those similar to Slipknot, Papa Roach, P.O.D, or I don’t know what other nu-metal band. On the previous twosome of studio albums they managed to keep somewhat metallic sound. Even if they managed to play truly powerful headbanging riffs, here they would have sounded totally awkward. Though Lars had some shiny moments and he was trying, the sound of the drum kit is the worst bit on “St. Anger”, production-wise. The snare drum sounds like Lars was hitting an empty metal barrel or some tin cans. This can get very irritating since production is done in such manner that drums cover all other instruments and you can’t hear them clearly. Once angry James Hatfield with his trademark rough vocals turned into a – pussy. Yeah, you heard me right. Kirk’s solos are nowhere to be found and song last 7 minutes average. For such long songs you’d expect at least as much solo guitar-work as on “…And Justice For All”. They didn’t even try to abridge that element with riff versatility (what kind of riffs are we talking about?), but rather threw in insipid bass lines courtesy of their producer Bob Rock (Rob Trujillo joined after the album was finished). The only thing I slightly like and that remotely comes near anything that Metallica has done in the past is “My World”. It actually has some good riffs and rhythms to it, as does its follow-up “Shoot Me Again”, but they somehow managed to ruin every good idea they had. Not to mention that the good parts in those songs are like stolen from System of A Down. I will conclude the review with a single statement that summarizes everything I said before – this album is simply OBSOLETE! www.metallica.com (2/10) RNA

Thrash metal bend Space Eater traži bubnjara iz Beograda koji svira dobro duplu pedalu (i istu poseduje, da ne moramo stalno da je iznajmljujemo). Rad za početak na autorskim stvarima (neke pesme su već gotove), a od obrada poželjno je, nije neophodno, poznavanje bendova Agent Steel, Megadeth, King Diamond, Overkill, Testament, Dark Angel, Slayer nešto klasičnog heavy zvuka tipa Helloween, Accept, Running Wild, Iron Maiden... Samo mi pošaljite pp.

Ja lično mislim da će biti ovo drugo, ali neću ništa da prejudiciram. Uskoro kompletna recnzija albuma, samo da je prekucam.

Na muziku i mislim, pošto je pevanje zajebancija.

Sviđa mi se ova humanitarna akcija koju su organizovali na sajtu.

Života mi, nisam mogao da verujem koliko je "The Crimson Idol" dobar, dok ga nisam preslušao. Mislio sam da "The Headless Children" nema pravog takmaca među njihovim albumima.

Meni se sviđa i kako su ispale i "Cornucopia" i "Never Say Die", ali ubedljivo najbolja obrada na "Coverkill" je "Tyrant"! Mene je iznenadila, i to poprilično, "Space Truckin'".

Ja sam sa svojim starim bendom i pevao "Paranoid", "Sweet Leaf" i "Iron Man". Simpatično je zvučalo, ali ne leži mi Ozijev vokal. Više bih voleo da radim neke obrade iz perioda sa Diom ili Tonijem Martinom, recimo "Heaven And Hell" ili "Headless Cross" ili "The Law Maker", "Jerusalem", "TV Crimes", "Valhalla", "Computer God"... I konačno sam nabavio "Live Evil". Dio je sjajno otpevao sve one stare Ozijeve pesme. Čovek je BOG!

Sajt uopšte nije loš!

Koga interesuje, imaju neki hitovi od njih da se nađu u IPSu.

Nije sa njim umrlo ništa, sem jedne legende i mnogo dobrih uspomena. Šteta samo što nije mnogo ljudi moglo da ih prati u periodu dok su hjoš bili demo bend i dok su imali legendarne svirke, i dok je Hemet bio u bendu, itd. To je bilo zakon.

"Alive Devastation"? Otkad je to? Ja znam samo za "Live Without Sense". Koliko vidim, nema ga ni u zvaničnoj diskografiji na sajtu. Nego, mene više interesuje šta su stavili kao B stranu na singlici "Whiplash". Znam da ti Butcheru to imaš.

Ja prvi neću nikako reći da je Lars loš bubnjar, naprotiv. Čak i nije ceo zvuk bubnjeva toliko loš. Samo doboš zvuči k'o kanta, ovo ostalo je super urađeno, naročito bas bubnjevi. Ali, džabe kad su pesme loše.

Vala, da su uradili dobre tekstove i čestito pevanje bio bi ono najbolji metal album svih vremena kod nas. Ovako je najbolja metal zajebancija svih vremena kod nas.

Kakav si ti negativac, bre!

Ako ga preslušaš samo jednom i nije toliko loš, ali ume od njega da zaboli glava.

To već ne bih znao kasti. Nisam znao ni da planiraju DVD.

Ista stvar kod mene. Meni su se oni više smučili, ne toliko što im je muzika očaj, već više kao nule od ljudi u svakom pogledu.

Izmislio si toplu vodu!

Ču' kad izlazi... Izašao je ima više od mesec dana za AFM Records iz Nemačke.