KRANG

to je bio najjači komentar na ovom forumu ikada.. nešto u stilu: ".... je moj omiljeni album svih vremena, mislim da sam ga preslušao čak 4 puta." -ozbiljno? -"šta, ne verujete mi da sam ga preslušao 4 puta?"

novi album, iko? miasma vidim da izlaze recenzije, a albuma nigde nema.. u kurac

skinuh sada retail verziju. zvuči bolje od promosa. vrh!! ima i ceo buklet skeniran. leba vam, odličan je buklet. kao knjiga istorije samo da dođu ovde, pa da pazarim ovo na originalu i koju majcu uz to! da i ne pominjem audio-vizuelni doživljaj

gde si našao album, majke ti?

ajde frubi, obraduj nas jednom

haha, ima još.. koliko se samo raznih "covera" pojavilo.. ali, neki od ovih ljudi sa opeth foruma su stvarno talentovani.. ovi coveri koje su iz zezanja radili u photoshop-u izgledaju fenomenalno. ovaj je bio prvi:

pravi love metal?

sad sam uzeo da slušam nortt.. album graven. minimalistički black funeral doom.. imaju split sa xasthur, koji me uopšte privukao njima, (pesme na splitu su upravo sa ovog albuma)..e, ovo je fenomenalno.

eee... zavist.. i sujeta.. moj omiljeni greh. nego, čujem (tj čitam) da je nova BLACK DAHLIA MURDER - MIASMA vrhunski album. nikako da se pojavi.. ali evo, stigao je prvi review: Seldom does anything promised, no matter what business you’re talking about, fully live up to its pledge, but when Black Dahlia Murder reportedly claimed that the follow-up to their crunchy debut Unhallowed was actually going to be heavier, there naturally had to be a degree of skepticism. After all, Unhallowed is a pretty damn fine slab of dark thrash in its own right. Could it be possible that an album as heavy as Unhallowed can actually be considered an afterthought? The answer, my friends, is definitely. It only takes the opening song “Charming” to realize Black Dahlia Murder delivers as forecast. Like the rest of Miasma, this band steps up its game from Unhallowed by coating its product with heavier tempos, heavier riffs, heavier delivery, and, most importantly, heavier melody amidst their gory mayhem. Through the gusty tempest beats of Zach Gibson comes deeper texture than on Unhallowed, particularly in the way Brian Eschbach and John Kempainen sling beautiful solos and classically-oriented rhythms atop the amphetemized grooves. The solos on “Satuatory Ape” and “Files” for example are assuredly going to wow you while the blinding speed of “A Vulgar Picture” will leave you wondering how Black Dahlia Murder can go back and rip out material from Unhallowed ever again. “Dave Goes Hollywood” sounds hilarious at face value, but the complicated time signatures of this track make it blisteringly serious. The opening sequence of “Miscarriage” will leave you dizzy with its delicacy, even as it slips into an old-school gallop beat that makes the song even more entertaining as a result. Then there’s the precursory death march on “Spite Suicide” that launches a mean mofo of a thrash attack. As the title track gloriously fades with an artistic farewell, you get the impression Black Dahlia Murder has made an unholy pact in order to leap forward in such staggering fashion. I mean, come on, did anyone actually expect an already good band like Black Dahlia Murder to get this much better? They’ve grown a steady fanbase and it only stands to mount in legion after they’ve sampled Miasma in light of Unhallowed. The transition between the two albums is nothing short of startling and impressive. Black Dahlia Murder has been stimulated in its writing process and on Miasma, they unleash the torrent force that has pent up inside the eye of its metallic storm like hellion’s breath and you’d best be prepared for this. The battened hatches be damned… The year is only halfway through, but Miasma stands to be one of 2005’s most critical releases. I’ll go one step further and announce that Miasma may be destined to be a death metal classic. My word is bond. www.theblackdahliamurder.com / www.metalblade.com --- jake reči! jedva čekam album!

ljudi, hoće da ukinu avantguarde forum! hahaha http://www.yumetal.net/forum/index.php?sho...ndpost&p=821661

ili je možda bolje ovako: i to je lažni cover, paceru. lik se zajebavao i napravio to, a što je najsmešnije, jedno hiljadu sajtova je prenelo tu sliku..

LINK KA MOM POSTU SA PRETHODNE STRANE GDE SAM POSTOVAO CEO TAJ INTERVJU

out of tajme, care, ovaj Impure Wilhelmina - L'amour, la mort, l'enfance perdue je genijalan album.

odakle da skinem full verziju? daj link

hmm, ja sam tek sad provalio da na novom subterranean masquerade peva i kobi iz orphaned landa. edit: a provailo sam takođe da se elastomania može igrati u multiplejeru!! 2 igrača! haha

a evo i covera

i još jedan.. neke nove stvari: Terrorizer: Still working on the album? Mikael: "We still have the cover to do and the booklet and photos and all sorts of things." Terrorizer: But the album's almost completed? Mikael: "You could probably say so. We've done the mixes for five heavy, long tracks, but we still have the mixes for three or four extra songs left to do. Everything's recorded. It's just that KATATONIA went into the studio directly after us, so we have to wait like a week or something to do the mixes for those last songs." Terrorizer: Is there perhaps a certain organic quality which has been worked into the songs because of you having rehearsed for this album? Mikael: "Yeah. It'd like to hope so, at least. I worked more with each song and each passage, so I feel the songs 100 per cent. They're much more well-structured this time around." Terrorizer: There was a certain flow that you seemed to lose on some of the songs on "Deliverance". "Damnation" seemed to breathe properly, where "Deliverance" generally didn't. Mikael: "I have to agree, because I think at the time we were recording I was so stressed that it was going to be an album at all; and since we were doing two albums, I think my heart was in the project of doing 'Damnation', because that was the odd thing. While I'm happy with 'Deliverance' overall, I think 'Damnation' is one of our best albums ever. 'Deliverance' is not our strongest album, but I think the song 'Deliverance' is one of our best songs. So I'm not slagging the album off, it's just the memory of the whole recording is so bad, and I know how I was functioning when I was doing those songs. I was under a lot of pressure and I just wanted it to be done. This time around I paid much more attention to the small details and put much more energy into making the songs like, full-on all the time, if you know what I mean. The new album never, ever gets boring. People should never think that OPETH are boring — and we were kind of treading that line on 'Deliverance', I guess." Terrorizer: So are the lyrical themes of this new record moving into new and different territory too? Mikael: "The lyrics are almost a regression, I think. I've gone back to the early influences of the band. I wanted to write like an occult kind of concept story. I didn't want to write a stupid Satanic lyric and it's not a Satanic album or anything, but I started with this idea of a concept, and that was like a red thread, if you know what I mean, throughout the story: that there is some occult undertone in it. The lyrics are almost like a cliché for death metal, but written how I write, so it's not just stupid. It's some good stories, I think. It's much more sinister than before: I haven't written lyrics like this in fifteen years. I hope they're better now than they were fifteen years ago!"

pa, s obzirom da je ovo anathema tema, mislim da će SA definitivno uzeti titulu ove godine.

i potpuno prikladno za anathema temu. a kad smo već kod anatheme, ko ide na molinu?

čini mi se da je na nekoj od prošlih strana upravo taj isti intervju postovan.. ili na avangardnoj temi, ne znam. samo znam da sam ga čitao.. baalbehrit ga je postovao odavno

čudo niko nije pomenuo loomisa (nevermore), ili smolskog (rage).. meni su njih 2 omiljeni gitaristi.. khan mi je omiljeni vokal.. i warrel, naravno. mada, slabo slušam power u zadnje vreme, pa bih teško mogao da smislim neku čisto power postavu na koju bih mogao da drkam.

ovu prvu mogu od sada da koristim umesto lemonparty @slo-d: ovaj coil mi se mnogo svideo. odličan soundtrack za igranje elastomanie.. prečica do nervnog rastrojstva..

nešto sporiji, težak album sa uriah heep psihodeličnim death metal elementima?? čak i da mrzite opeth, ovo sigurno budi radoznalost. hahahah

pa eto, sad sam završio sa ulverom , pa prelazum polako na opeth.. hehe. ozbiljno, evo najnovijeg intervjua sa mikaelom, do sada najviše detalja o novom albumu.. veoma dobar intervju, rađen pre par dana, kada su konačno izašli iz studija: Q: What's been happening since Damnation? A: "Well, eventually we stopped touring! The last gig was Sweden Rock last summer, so since then I became a Dad and that's basically all I've been doing for months, looking after my wife as she was about to pop, so to speak, going to the doctors, having a kid, which was awesome, and hanging out with my family... and obviously I've been writing the new stuff. I set a date when I knew I had to start writing for real." Q: Has Ghost Reveries been written on your trusty battered acoustic? A: "Yeah, it has actually. I've done a lot of stuff on that old guitar. I've got a whole 8-channel recording thing at home now, so I did all the demos at home. As before, the guys came over, I did them CDs of the demos. We actually started rehearsing this time too! We rehearsed for two or three weeks. We figured we'd be recording the album in three weeks, but we started March 15th and I just got home. It was the total opposite of what we expected." Q: So what should we expect from Ghost Reveries? A: "Oh, it's still Opeth. You can definitely hear it's us. I guess it's heavier. It's not as fast as Deliverance, but definitely faster and heavier than Damnation. I think the songs are overall much better. Before I've always had the odd riff where I though ‘I'll fix that later', and there's always been lots of riffs that have been going on for too long or whatever. It's got the beauty and the heaviness and all the things we've had in the past but overall the songs are much more well structured. And obviously we've got Per (Wiberg, keyboardist) joined the band and there's a lot of Uriah Heep from 1971, distorted Hammond organ stuff!" Q: Full-on July Morning-style shit?! A: "Yeah, exactly like ‘July Morning'. In fact, there's one song that had the working title ‘Uriah Heep'. We share our rehearsal space with another band and they were listening and they asked us, ‘Which Uriah Heep song is that?' It's Uriah Heep with death metal vocals! I think right now, even though I've been working with this album for so long, I think it's our best. I hope the fans will like it. It's hard to get into, though. There's so much stuff going on!" Q: Are there any purely mellow tracks? A: "Yeah, there's one song that could've been on Damnation. I wanted to make the best song of that type that I possibly could and I think I've done that. It's a really good song. There's another song that was meant to be instrumental but then I put some vocals on there anyway. It sounds like a soundtrack, film-style thing. Then there's one that's pure sixties psychedelia. That's the oddest song we've ever done. And then there's five heavy songs, with lots of different things going on and they're all about ten minutes long. It's about seventy minutes in total." Q: What made you decide to sign with Roadrunner? A lot of people were surprised! A: "Yeah, we got flamed! But we got offered so many deals. Roadrunner... I don't know, the kids today seem to think it's some kind of nu-metal label because that's all they know, but there's all those guitar albums from the 80s, the King Diamond stuff and many other things. I'm not fond of their roster today, but then I'm not fond of anyone's roster at the moment. We chose Roadrunner because we wanted to make the album available everywhere and I don't want people saying they can't find the album anywhere. I'm sick of that. If people think we signed for the money then that's not the case. It really wasn't a great deal money-wise. If we wanted money we could've chosen plenty of other deals!" Q: And if you wanted to make money you probably wouldn't play this kind of music, right? A: "Exactly. Some people think we're going to go mainstream! That's just impossible. The thing is, we met Roadrunner. We traveled around and met up with all the main contenders. When we came to New York we'd just been to Los Angeles and hung out with Robert and Century Media. They treat us so good, and I love the guy, so we were pretty much set to sign with them. But then we met the Roadrunner people and we were floored by how professional they were. I was really impressed. Roadrunner to me is like how Music For Nations was when we signed to them. You just have to think about their history. I don't want anyone not to be able to get hold of the album this time. But we only signed a couple of weeks ago, so there's still lots to prove!" Q: What are you hopes for the rest of the year? A: "We're on the Sounds Of The Underground tour in the States this summer. I don't really know what it's going to do for us. I hope a lot of people who've never seen us before will come and see us play. The decision to do that tour has a lot to do with when I became a dad. It's not so cool to be on tour for a long time anymore. I've been away for so long recording the album as it is. But I'm looking forward to these shows. We've been doing this for such a long time. I want to do well. I want people to understand what we're doing. I just hope we have some good fortune."

ne znam ja šta su oni recezirali, ali znam da albuma nema nigde. valjda isporuka počinje 20 juna, pa će par dana posle toga biti i na netu