KRANG

tehnički

jeste.. dobro. evo šta je još dobro. ovo sam slušao zadnjih par dana, i izabrao najbolje: *** parkway drive - killing with a smile tehnički australijski brutalni metalkor. rec: http://www.digitalmetal.com/reviews.asp?cid=6882 *** Deerhoof - the Runners Four indie noise rock rec: http://www.pitchforkmedia.com/record-revie...ners-four.shtml *** Kinski - Alpine Static *** mono pelican split mono pesma je neverovatna.. pelican pesme su takođe neverovatne. posebno akustična ran amber. *** Kylesa - To Walk A Middle Course (2005) ** riverside - consieving you single koji je do jaja, kao i novi solefald, makar na prvo slušanje.

evo review čoveka koji zna o čemu priča. http://www.ultimatemetal.com/forum/showthr...358#post4095358 to je lik pod nickom demonspell, koji ima svoj deo foruma na ultimatemetalu, i čiju rubriku "songs to watch" pratim već par godina. zanimljivo je da u zadnje vreme ubacuje i dosta post rocka. u svakom slučaju, recenzija je odlična.

drugi deo devetog serijala kreće 19 oktobra. još 8 dana

evo već skidam. btw mnogo je dobar ovaj mono pelican split.

a evo ga i novi solefald.. da ga skinem, zbog starih vremena... a možda i ispadne do jaja album.

YESSSSS!!!! i od mene.. ali iz totalno drugog razloga.. onaj spit o kome sam toliko pričao.. mono/pelican. e, našao sam konačno lika koji ga ima, i upravo je krenuo da mi uploaduje 70 MB. nova mono pesma 36 MB .. koja divota.

riverside radi anathemu bolje i od same anatheme. -- oduševljen sam sa ovih par pesama.. verovao sam da će ovo biti jedan od boljih albuma godine, ali nisam mislio da će biti jedan od najboljih. sada sam siguran da hoće.

a ja e.i.t.s. najviše. jebiga, kad živiš u njujorku, onda nema gorgorotha i ostalog euro ug bm-a

haha.. e, pojavio se tobby solo album na netu, vidim da ga neki papci imaju... samo nemam pass za skidanje. uskoro će valjda biti i na nekom javnom torrent sajtu.

uuu.. anathema elementi nikad jači.. (samo 10 x bolji i od same anatheme ) ovo je delo genija. novi album će biti vrhunski. jedva čekam.

au... hyatari - 2005 - the light carriers (advance) [vbr]

idem i ja. ali me nećete videti.

ma smeće.. joey pisao muziku (a svi znaju koliko mu to ne ide (ne kažem da je loš bubnjar)), + vokali su totalno gay. kad smo kod tih VA, we reach the music of the melvins je tri svetlosne godine ispred ovog. i dalje ne kažem da nema solidnih pesama i ovde mene su flynn pesme iznenadile, a i klinac iz trivijuma je pametan.

reci za koje ti nije očigledno, pa ću ti ispuniti želju. evo ga i: Jello Biafra & The Melvins - Sieg Howdy! - 2005

u čemu to?? ja samo kažem da imam kompilaciju.. a znao sam za ovo pre 6 meseci. ima stvarno dobrih pesmica

zanimljivo.. ali i ovo je (možda): ARTiST : Roadrunner United ALBUM : The All-Star Sessions LABEL : Roadrunner GENRE : Metal RELEASE : 2005-09-30 STREET : 2005-10-11 ENCODER : LAME 3.90.3 QUALiTY : 242kbps avg / 44.1kHz / Joint Stereo SiZE : 140 MB PLAYTiME : 01:16:55 + TRACK LiSTiNG + ----------------- [#] [Track Name] [Time] 1. The Dagger 5:32 2. The Enemy 4:45 3. Annihilation By The Hands Of God 5:33 4. In The Fire 4:07 5. The End 3:35 6. Tired N' Lonely 3:38 7. Independent (Voice Of The Voiceless) 4:52 8. Dawn Of A Golden Age 4:09 9. The Rich Man 6:50 10. No Way Out 3:27 11. Baptized In The Redemption 3:19 12. Roads 2:25 13. Blood & Flames 5:38 14. Constitution Down 5:05 15. I Don't Wanna Be (A Superhero) 2:02 16. Army Of The Sun 3:48 17. No Mas Control 3:02 18. Enemy Of The State 5:08 76:55 + RELEASE iNFORMATiON + ----------------------- Roadrunner Records has evolved -- over a staggering 25-year history -- from an unassuming Dutch import company into one of the most innovative record labels in the world. Fiercely independent since its start, graced with a passionate staff, and incomparable musical talent, Roadrunner has achieved something that many labels seek and never attain, let alone maintain for a quarter-century: brand recognition. The Roadrunner logo has come to mean two things to millions of fans around the world: a high standard of quality in musicianship and presentation, and an unwavering commitment to the best, most unique, and most intense in the hard rock and heavy metal genres. Just as Roadrunner has taken the lead so many times on the artistic side, finding and developing acts that have literally changed the face of heavy rock, so too has the label come up with a brilliant and inventive way to celebrate its 25th anniversary. Paying homage to its past, giving a nod to its future, and framing both in the most creative terms possible Roadrunner is poised to release an album of original new heavy music, played by some of the genre's best and most highly-regarded practitioners. "In June 2004, Roadrunner's owner, Cees Wessels, asked me to come up with an idea to celebrate Roadrunner's 25th anniversary," recalls A&R visionary Monte Conner. "I knew that for it to be really special, we would need to come up with a record that involved many musicians, one that was truly a collaboration on a grand scale, with songs written by, played by and sung by different people. An album that would cover the entire history of Roadrunner and feature some of our most legendary artists from the past, right up to and including musicians from our newest signings." The idea was formulated to create four "teams" -- each headed by a "team captain." Each team would consist of a core of musicians -- two guitarists, bassist and drummer -- who would lay down basic tracks for four original songs written by the team captain. Each song would use a different vocalist, and no player could appear on a tune by another team. The team captain would select a studio in which to cut the instrumental tracks, while the singer was free to record where it was convenient for him and was also instructed to come up with lyrics and a vocal melody on his own. Roadrunner United was thus born in August of 2004. The label now had a year to assemble this vast and complex project, and the first things that were needed were the four cornerstone musicians -- the team captains. Several criteria were established: the captains had to be comfortable in the studio and know how to produce music, they had to be primary songwriters in their own bands, they had to be well-respected names in the metal field, and they had to encompass the Roadrunner history from its past to its future. The four captains -- Slipknot drummer Joey Jordison, Machine Head frontman Robert Flynn, former Fear Factory guitarist Dino Cazares and Trivium frontman Matthew Heafy -- filled that bill admirably. "I thought it was a great idea and was really excited about it, because it was a chance to work with a lot of artists that I really respected while I was growing up," says Jordison. "I was just honored to be kind of the first guy they asked." Like Jordison, Cazares was flattered to be considered: "It's definitely a compliment to be a team captain. I've been with the label since 1992, and we were a big part of Roadrunner history." "It was awesome," says Heafy about the experience of being selected to oversee one-quarter of this ever-expanding and important project. "Being able to see different musicians in the studio, and they way they work and play, was really cool." In the end, an astounding total of 56 musicians from 44 different bands were utilized on the album, an amazing organizational feat and a sign of the respect and that each player had for each other and the label itself. "I've heard some of the tracks from the other 'teams,' and they're fuckin' unreal," says Jordison. "This thing has come out better than anyone expected. When the captains wrote the material, they wanted to make it the best possible, and when you brought all these guys in to play, they wanted to do the best possible. Everybody stepped up." 01. The Dagger Howard Jones (KILLSWITCH ENGAGE) - vocals Robert Flynn (MACHINE HEAD) - rhythm guitar, vocals Jordan Whelan (STILL REMAINS) - rhythm guitar Jeff Waters (ANNIHILATOR) - solo Christian Olde Wolbers (FEAR FACTORY) - bass Andols Herrick (ex-CHIMAIRA) - drums Music written by Robert Flynn Lyrics written by Howard Jones and Robert Flynn 02. The Enemy Mark Hunter (CHIMAIRA) - vocals Dino Cazares (FEAR FACTORY) - rhythm guitar Andreas Kisser (SEPULTURA) - solo, acoustic guitar Paul Gray (SLIPKNOT) - bass Roy Mayorga (ex-SOULFLY, MEDICATION)- drums Music written by Dino Cazares and Roy Mayorga Lyrics written by Mark Hunter 03. Annihilation by the Hands of God Glen Benton (DEICIDE) - vocals Matt DeVries (CHIMAIRA) - rhythm guitar Rob Barrett (CANNIBAL CORPSE, ex-MALEVOLENT CREATION) - rhythm guitar James Murphy (ex-TESTAMENT, DEATH, OBITUARY)- solo Steve DiGiorgio (TESTAMENT, SADUS) - fretless bass Joey Jordison (SLIPKNOT) - drums Music written by Joey Jordison and Rob Barrett Lyrics written by Glen Benton 04. In the Fire King Diamond (KING DIAMOND, MERCYFUL FATE)- vocals Matthew K. Heafy (TRIVIUM)- lead, rhythm and acoustic guitars Cory Beaulieu (TRIVIUM) - lead and rhythm guitars Mike D'Antonio (KILLSWITCH ENGAGE) - bass Dave Chavarri (ILL NINO) - drums Music written by Matthew K. Heafy Lyrics written by King Diamond 05. The End Matthew K. Heafy (TRIVIUM) - vocals, lead guitar Dino Cazares (FEAR FACTORY) - rhythm guitar Nadja Peulen (ex-COAL CHAMBER) - bass Roy Mayorga (ex-SOULFLY, MEDICATION) - drums Logan Mader (ex-MACHINE HEAD, SOULFLY) - melodic guitar harmonics Rhys Fulber (FRONT LINE ASSEMBLY) - keyboards, programming Music written by Dino Cazares Lyrics written by Matthew K. Heafy 06. Tired 'N Lonely Keith Caputo (LIFE OF AGONY) - vocals, piano Matt Baumbach (ex-VISION OF DISORDER) - rhythm guitar Tommy Niemeyer (GRUNTRUCK) - rhythm guitar Acey Slade (MURDERDOLLS, TRASHLIGHT VISION) - rhythm guitar James Root (SLIPKNOT) - solo, harmony guitar Joey Jordison (SLIPKNOT) - drums, bass Music written by Joey Jordison Lyrics written by Keith Caputo 07. Independent (Voice of the Voiceless) Max Cavalera (SOULFLY, ex-SEPULTURA) - vocals Robert Flynn (MACHINE HEAD) - rhythm guitar, 3-part guitar harmonies, keyboards Jordan Whelan (STILL REMAINS) - rhythm guitar Jeff Waters (ANNIHILATOR) - solo Christian Olde Wolbers (FEAR FACTORY) - bass Andols Herrick (ex-CHIMAIRA) - drums Music written by Robert Flynn and Phil Demmel Lyrics written by Max Cavalera 08. Dawn of a Golden Age Dani Filth (CRADLE OF FILTH) - vocals Matthew K. Heafy (TRIVIUM) - lead and rhythm guitars Justin Hagberg (3 INCHES OF BLOOD) - rhythm guitars Sean Malone (ex-CYNIC) - bass Mike Smith (SUFFOCATION) - drums Music written by Matthew K. Heafy Lyrics written by Dani Filth 09. The Rich Man Corey Taylor (SLIPKNOT, STONE SOUR) - vocals Robert Flynn (MACHINE HEAD) - rhythm guitar, keyboards Jordan Whelan (STILL REMAINS) - rhythm guitar Christian Olde Wolbers (FEAR FACTORY) - bass Andols Herrick (ex-CHIMAIRA) - drums Music written by Robert Flynn Lyrics written by Corey Taylor 10. No Way Out Daryl Palumbo (GLASSJAW, HEAD AUTOMATICA) - vocals Matt Baumbach (ex-VISION OF DISORDER) - guitar, bass Joey Jordison (SLIPKNOT) - drums, bass Junkie XL - programming, synths Music written by Joey Jordison and Matt Sepanic Lyrics written by Daryl Palumbo 11. Baptized in the Redemption Dez Fafara (DEVILDRIVER, ex-COAL CHAMBER) - vocals Dino Cazares (FEAR FACTORY) - rhythm guitar Andreas Kisser (SEPULTURA) - solo, wah wah guitar Paul Gray (SLIPKNOT) - bass Roy Mayorga (ex-SOULFLY, MEDICATION) - drums Music written by Dino Cazares and Roy Mayorga Lyrics written by Dez Fafara 12. Roads Mikael ?…kerfeldt (OPETH) - vocals Josh Silver (TYPE O NEGATIVE) - keyboards, backing vocals Music written by Josh Silver Lyrics written by Mikael ?…kerfeldt 13. Blood & Flames Jesse David Leach (SEEMLESS, ex-KILLSWITCH ENGAGE) - vocals Matthew K. Heafy (TRIVIUM) - lead, rhythm and acoustic guitars, vocals Josh Rand (STONE SOUR) - rhythm guitars Mike D'Antonio (KILLSWITCH ENGAGE) - bass Johnny Kelly (TYPE O NEGATIVE) - drums Music written by Matthew K. Heafy Lyrics written by Jesse David Leach 14. Enemy of the State Peter Steele (TYPE O NEGATIVE) - vocals, keyboards Steve Holt (36 CRAZYFISTS) - rhythm, acoustic and slide guitar Dave Pybus (CRADLE OF FILTH) - bass Joey Jordison (SLIPKNOT) - drums Josh Silver (TYPE O NEGATIVE) - keyboards, samples Music written by Joey Jordison and Matt Sepanic Lyrics written by Peter Steele 15. I Don't Wanna Be (A Superhero) Michale Graves (ex-MISFITS) - vocals Matthew K. Heafy (TRIVIUM) - lead and rhythm guitars Justin Hagberg (3 INCHES OF BLOOD) - rhythm guitars Mike D'Antonio (KILLSWITCH ENGAGE) - bass Dave Chavarri (ILL NINO) - drums Music written by Matthew K. Heafy Lyrics written by Michale Graves 16. Army of the Sun Tim Williams (BLOODSIMPLE, ex-VISION OF DISORDER) - vocals Robert Flynn (MACHINE HEAD) - rhythm guitar Jordan Whelan (STILL REMAINS) - rhythm guitar Christian Olde Wolbers (FEAR FACTORY) - bass Andols Herrick (ex-CHIMAIRA) - drums Music written by Robert Flynn and Dave McClain Lyrics written by Tim Williams 17. No Mas Control Cristian Machado (ILL NINO)- vocals Dino Cazares (FEAR FACTORY) - rhythm guitar Souren "Mike" Sarkisyan (SPINESHANK) - harmony guitar Andreas Kisser (SEPULTURA) - harmony solo Marcelo Dias (ex-SOULFLY) - bass Dave McClain (MACHINE HEAD, ex-SACRED REICH) - drums Music written by Dino Cazares and John Sankey Lyrics written by Cristian Machado 18. Constitution Down Kyle Thomas (ex-EXHORDER, FLOODGATE) - vocals Matt DeVries (CHIMAIRA) - rhythm guitar Rob Barrett (CANNIBAL CORPSE, ex-MALEVOLENT CREATION) - rhythm guitar, trade-off solo James Murphy (ex-TESTAMENT, DEATH, OBITUARY) - intro solo Andy La Rocque (KING DIAMOND) - trade-off solo Steve DiGiorgio (TESTAMENT, SADUS) - fretless bass Joey Jordison (SLIPKNOT) - drums Music written by Joey Jordison Lyrics written by Kyle Thomas http://www.roadrunnerrecords.com osim toga i mikael peva jednu pesmu. car

@oot: vidiš, u pravu si.. nikako da preslušam to. i aj budi srce pa mi nareži ono, a ja ću tebi ono drugo, pa da se razmenimo.

morao je na lečenje u švedsku kad je sniman spot (u USA).. zato je hoglan tu.

ma google translate.. korisna stvar. -- imaš hammer? jel album meseca?

aha. ali nema veze, razumeo sam makar šta je hteo da kaže. dobra recenzija. (mirror-image ritual Beggars) haha

ajde da prevedemo ovo: Also one generally as experimentally well-known volume like Sweden Opeth makes times more and times less experimental albums. With last, at the same time taken up and easily shifts published pair DAMNATION/DELIVERANCE gave themselves it conceptionally very extrovertedly. DELIVERANCE dedicated itself volume to the schroffen Death Metal roots that, while DAMNATION the acoustic-progressive elements of their music isolated, which Opeth in the process of its career more and more led out from the classical moose death trade and to a recognized strength of the renewal between Underground Metal and made for Prog circles. After this complex contrast program GHOST sets REVERIES now again on synthesis - and is at least in this sense an absolutely classical Opeth work. Into that readily the ten-minute border scratching Songs lets Mastermind Mikael develop Åkerfeldt into proven Virtuositaet schillernde micro cosmoses, which to always new kind the spectrum of more vehementer, hymnischer reef Akrobatik up to lyric Melodik to a facet-rich jewel to consolidate. As far as, then admits - which takes GHOST off of REVERIES from its illustren forerunners, only the audible play joy is not that volume, but also the still more organic hardness of the music, at which the Keyboarder which was added again has important portion by Wiberg (mirror-image ritual Beggars). Also gesanglich seizes Åkerfeldt ever more frequently to the gentle variant, which maneuvers GHOST of REVERIES altogether more than ever into the Prog Metal corner and so that the Opeth ' uniqueness places still to more into the foreground. But above all one decide REVERIES for the quality of GHOST are: the outstanding quality of the Songwritings. The four "Dickschiffe"'Ghost OF Perdition ', ' The Baying OF The Hounds ', ' Reverie/Harlequin Forest ' and ' The Grand Conjuration ' exhibit all together an impressing narrativen river, each detail in the devised arrangements insert themselves in the complex, but compelling logic of the composition. From the atmosphere also the Songs of this album shows the Duesternis typical for Opeth, into which however a glowing warmth crept - not only by the Hammond sounds, but also by many eastern tone qualities and figures. With this album those disappeared volume probably finally from the underground niche, it it created to make their conceptional beginning in one, always grandiosen, audible relating to crafts over each doubt for raised work.

čemu to?? krajnje infantilno od tebe.. al ajde

ja bih išao na DEP i "between..", a za vreme svirke horse d benda bih izašao napolje i gledao u zid. btw, pojavio se mega gej bullet for my valentine full album

ne. mislim na ovo HORSE_The_Band-The_Mechanical_Hand-(Retail)-2005-UST