azal

dada, isto me bas nahajpovao omot i old school logo

US Progressive Metal pioneers and innovators Psychotic Waltz OFFICIAL return in their full original line-up with their highly anticipated 5th studio album and first new music in 23 years. Entitled “The God-Shaped Void”, the upcoming new album and InsideOutMusic debut will be released on February 14th, 2020. The basic tracks for “The God-Shaped Void” were recorded with engineer Ulrich Wild in the band’s hometown of San Diego, then the rest of the recordings at Studio D in Austria and finally the material was mixed/mastered by Jens Bogren (Opeth, Devin Townsend, Fates Warning) at Fascination Street Studios in Sweden. Artwork, as to be seen above, was created by longtime visual partner Travis Smith (Katatonia, Riverside, Nevermore). PSYCHOTIC WALTZ guitarist Dan Rock checked in to comment about the creation and recording process of “The God-Shaped Void” as follows: “First we’d like to thank all the fans who have supported us over the years. The new album would probably not exist if it were not for the good times and fan support we had on our reunion tours of Europe in 2011/2012. It really sunk in how cool I would be to make new music again, instead of just continually playing the first four albums. With all of us living further apart, especially Devon, it was a much slower process than having all five of us in the same room like we used to. But times change, and the Internet helped quite a bit. Normally, Brian and I would come up with guitar parts at home, whether alone or together. Sometimes we would program a basic drum beat for Norm to latch onto the vibe that we were feeling, and some of those stayed, while others were greatly improved upon by his far superior drum skills. We took our time (obviously) and went one song at a time and rehearsed it and recorded it in the jam room until we were musically happy with it. Then I would upload the individual tracks for Devon to download in his home studio so that he could remix it, and really see what each guy was doing. He was able to add vocals, make edits and rearrange parts that made for sense for him as a singer, and then send it back to us to review, retrack or punch in if needed… we did all of our pre-production mixes that way.” “I think Devon did a really great job considering the process, but we all wanted to bring in a professional set of outside ears with more experience. We were fortunate enough to have Ulrich Wild come down to San Diego and do all the basic tracking in a little-known local studio called Rarefied. Even better, Jens Bogren had an opening in his schedule at Fascination Street Studios and was able to mix and master it for us. And none of this would have been possible if InsideOutMusic didn’t have the faith in us that they did to release a new record after such a long time. Many thanks go out to everybody who made it possible after all these years. We hope you find it worth the wait!” A first single and the pre-order for “The God-Shaped Void” in its various formats (Ltd. and Standard CD, 2LP on 180gr. black vinyl as well as limited coloured editions and also Digital Download) will be available as of December 13th, 2019, so stay tuned for more news soon…

https://www.facebook.com/events/465764790737802/

naravno. zanimljiviji power metal album nije izasao ove godine. najbolji power pevac svoje generacije konacno ponovo peva u bendu koji je dostojan njegovog glasa. keyboard-centric prog/power, kazu oni da su spoj Wintersuna, Symphony Xa i Lost Horizona, mada ne cujem mnogo SX, ostalo da. Super pesme, epske, dugacke, neke skroz mozes da zamislis da su demosi sa drugog LH albuma, samo sto su klavijature dominantnije. Daniel nekako idalje isto zvuci, savrseno ocuvan glas. kristalno cisti previsoki vrisci na sve strane. pusti ovu da su uveris

jel realno da niko nije preslusao ovo?

🔥

jeste odlican album i ambiciozan i svestran, ali mi nikako nije bolji od Monolith i Anthropocene . svakako je jasno da je Travis glavna atrakcija i jasno je da ce muzika njega pratiti i da treba njemu da daje mesta da radi to sto on radi. Ali ovde ima previse tih nekih melodicnih, skoro pa Dimmu Borgirastih momenata napisani da bi njegovi clean vokali bili sto vise epic, skoro pa kao Anaal. sto radi. Fale mi brutal death riffovi i dobri breakdownovi i generalno zanimljiviji riffovi ali svakako mi idalje kul album i drago mi je sto ovako cepaju. Ako postoji neki bend koji je zasluzio popularnost, to su oni.

ja mislim da ih je realno sjebalo to sto su krenuli da sviraju uzivo i resili da ne prosire bend. Sve posle prvog EPa (koji je daleko daleko daleko najbolje izdanje) zvuci kao nesto sto su stvarali sa namerom da tu zvuci ok uzivo u ovakvoj postavi.

ja mislim da ti je najbolja varijanta da ti neki stolar napravi. secam se da su 90ih svi imali te stalke ali ko vise kupuje diskove, ne verujem ni da se to sad nesto mnogo pravi/prodaje. mozda na kupindu

daj i treci EP za saxophone side

cringe.

idemo bre idemo

citao neki stari intervju sa Romeom, ovo mi je presmesno https://www.alloutguitar.com/interviews/michael-romeo-interview-–-perfect-symphony-part-one-1970s-2000

verovatno je citat iz neke Motorhead pesme

slusaj Haunter ako nisi

ne znam kako moze Krallice da se uporedi sa ovim likovima. Krallice je bas sviracki bend, ovi samo palamude

ovo je dobro za fanove kultne/mutne trad price, manilla road, pagan altar, ashbury vrlo jaka atmosfera, lepi hammondi, ima svasta da se cuje.

bukvalno zvuci kao Gamma Ray pesma

pa da, kazem da bi bolje bio 88, possessed ne svira i ovi ostali na vrhuncu

koliko bi bio jak ovaj koncert da je 1988. u pitanju Killing Technology, Deception Ignored, i Possessed vise ne postoji

pa da, ali opet je isti zanr. samo sto je eto Sorcerer uspeo da dodje do svog licnog pecata tako sto kombinuju trad epid doom sa nekim fancy headless cross smekom. nije nesto sto nisi cuo nikad ranije, ali bar postoji neki twist.

gitara zvuci kao da je snimio sa zoom 505 na tom albumu

nemam mnogo da dodam, to je to. ne moze niko da im prismrdi u ovom zanru. mora da boli.