Angelystor

KAd smo vec kod Destroyera..nikad jache ime albuma..ali ipak mi je to najlosiji Gorgoroth album..ali mi je zato Open the Gates postala ubedljivo najbolja pesma

Actually dve pesme Sta bre..zar niko josh nije slushao? Za mene je ovo za sada najbolje power/prog izdanje godine, s tim shto chekam josh novi Persuader, BG, SyX i tako neke..ali ovo ce svejedno biti u vrhu..

Deris era iz mojih ushiju: 1. Dark Ride 2.-3. Mor i TOTO(jednako dobri za drugo mesto) 4.-5. Rabbit i BTR(-||- 4.) 100. KOTSK3

Manijak

..i sto se vishe slusha sve je bolji

ovu vredi skidati i 8 sati Ma "mala" je pesma bre..

Najslabiji iz Deris ere. (KOTSK3 ne rachunam )

Mene ni na jedan do sada CFov..

Zlochin i kazna

Neizivljen finski thrash a la Razor, Anvil Bitch, a ima tu i Exciter spidanja a i vokal je u tom fazonu dosta vrishtav, sa zvukom koji kao da je ispao iz 80neke, ali ljudi sa sva 3 albuma izdali u poslednjih par godina(zdanji ove) Ja sam slushao samo prvi album iz 2002e "Rising To The Challenge" i zadovoljio je moje thrash apetite. sajt benda http://www.solitairemetal.com/

Kao frontman je IMHO nezamenljiv, i to sam se uverio u decembru. Odlichan je na sceni, harizmatichan, i bash ono shto tebe iritira kod njegovog glasa, meni se svidja Leif je mozda mastermind benda, ali je Messiah dusha benda E sad..lik sa EDM je mooozda i bolji pevach..IMHo ne postoji bolja verzija Sorcerera nego sa EDM

Starbreakeru jebote pa ja sam to isto postavio na proshloj strani, post pre tebe

dc++ i sl programi

E konachno sam nashao promo bez onih beepova

Edling's official statement on Messiah's "departure" reads as follows: "Messiah's got a severe pre-recording psychosis at the moment. I'm pretty sure he will record his vocals for the new album this summer as planned."

LJUDI! Pod obavezno nalazite, skidajte i preslusajte pesmu "Storm (Of The Destroyer)", nalazi se na K.I.N.G. singlu. Znachi nenormalno je kako je jaka pesma, u starom duhu, sa ludim riffovima koljachki brzim bubnjevima(FROOOSTTT :rockdeviil:) i sa blagim dodirom novog zvuka.. Znachi, josh uvek mogu da prave odlichne BLACK metal pesme..samo izgleda da nece. Pametni su oni..

Ma jebozovni samo tako

Ako u globalu zesce smara, koj moj mu chestitash na "nekim pesmama"? Il seresh il ne seresh. Kai zna da peva.

set list*

Bez ikakvog premishljanja "Invisible Man", jedino sto je mogla da bude malkice kraca.

Skora sam konachno odgledao "Scarface". Brate mili kako je ovo dobar film. Al je bre glumac nad glumci. Ona zadnja scena u kuci je jebinstvena&carska. Say hello to my little friend!

Iako mi se album nije svideo ni posle prvog, ni posle drugog, treceg slushanja, ja sam ga do sada obrnuo dobrih 15ak puta Da li sam terao sebe da mi se svidi album ne znam, ali vremenom kada zazmurite i utripujete se da ovo u stvari nije Dissection onda i nije toliko loshe. "Beyond The Horizon" je do jaja catchy, haunting melodija na refrenu..kul sve u svmeu. Ne znam sto se tol'ko ljudi loze na "Starless Aeon"..mozda i najdosadnija pesma 'buma. Najbolji deo 'buma je meni od Mracne Keve pa do Boga Zabranjene svetlosti..znachi tu nekih 3-4 pesme.. Sve u svemu album zasluzuje nekih 6.5-7/10 ..ako mu date shansu naravno. E sad..ako se ne utripujete i znate da slushate neshto shto je izdao Dissection, bend koji je pravio takve zakone od pesama kao sto su "Night's Blood", Frozen".., onda cete se grdno razocharati i dati mu 2.5/10. Shto ovaj album i zasluzuje kao Dissection album.

STRAPPING YOUNG LAD drummer Gene Hoglan has posted the following report from the recording sessions for their new album, "The New Black", due in July via Century Media Records: "After those last few punishing rehearsals, where, I swear to god, I broke something (My back? My cloaca? My ass?), we packed all our gear into the mighty Armoury Studios. Now, the Armoury comes equipped with this beautiful Ayotte drumkit, and (ssshhh, don't tell any of my Pearl guys this) I have used it in the past, on both the 'Chicken Feather' and 'Alien' albums, but this time, I opted for my own kit. That Ayotte, great-sounding though it is, warm, big, nice, just lacks the oomph, the grrrr, that I've been striving for lo, these many years. I wanna have a terrifying drum-tone, and that really sweet Ayotte just doesn't scare me. But boy, my badass Pearl SRX sure does! A 13", 15", and an 18", which are retardedly large (and possibly uncontrollable) for the studio, but I figured, what have I got to lose? I haven't REALLY dug my own drum-tones since 'Darkness Descends' [DARK ANGEL], and that was my FIRST album! AND, it came out twenty years ago! But, since I am so smart, I chose my own Pearl to do the job. And did it ever not disappoint! Wow! I actually LOVE my drum sound on this record! And, since it was mixed so MASTERFULLY by the mighty Mike Fraser, it all sounds clear as a bell. "We booked three days again, and as usual, the majority of the first day was spent on setting up, mic-ing the fuck outta everything, and getting tones. I believe we used around 30 mics or so for this one. The kit was expertly skinned and tuned by our good pal Ryan Van Poederooyen from the DEVIN TOWNSEND BAND, and at about 7pm or so, I started tracking. The first tune I blasted off was 'Fucker', since that's about the most straightforward number on the new one, and then I moved on to 'Monument', which has a rollicking, 'swashbuckling' sorta groove, and very little double-bass (don't worry though, dudes, there's PLENTY of haulin' doubles on this album!). Next up was 'The Anti-Product', another groovy one. I just wanted to get a few of the 'easier' ones outta the way on that shortened first day. "Day two, and I don't really remember the order on that day, but suffice it to say, I tracked the rest of the album tunes that day. 'You Suck', 'Wrong Side', 'Hope', 'Decimator', 'Far Beyond Metal', 'Polyphony', 'Almost Again', and 'The New Black'. I guess there was no real reason to mention all the song-titles right there, other than I just wanted to start burning them into everybody's brains. "On that second day, I met on of the guys working on the editing process of the record, Rob 'The Chicken' Shallcross, who resembles quite a bit our bus driver, Sean Sitka. I see this guy in fronta the computer screen, and I'm like, 'Hey! Sitk-you're not Sean...' The first thing he says to me is, 'Chicken', while holding out this bizarre little rubber-chicken squeezy-toy thingy, that, when you squeeze it, a little yolk pops out its ass! The second thing he says to me is, 'Hey, check out this little movie. It's called 'I Hate It When That Happens',' and proceeds to pop up this little porn window on his computer. It's a spooning couple, goin' at it, she's in front, with her legs closed, then the dude puts his hand under her leg and lifts it, and behold! The 'she' is packin'! Holy moly! I pretty much blurt out, 'BAAAH!' sounding (and feeling) just like Hank Hill. Oh, my scarred eyeballs! And Rob commences to bust out laughin'. He just wanted to see my reaction. So, I start playin' it off for the next few days like he likes the trans-testicles, which puts him back in his place. I think. But, I doubt it. Either way, a new friendship is born... "Day three, and that was the day we tackled the bonus tracks as well as revisited a couple of the parts I knew I could do better. First up was Jed's 'The Long Pig', a righteous thrashing number, with Jed's stamp all over it, and my 'C:enter:###' another righteous thrashing number, completely in the vein of THE ALMIGHTY PUNCHDRUNK. I'm glad alot of you were able to figure oot that title! At the end of the day, we were listening back to all the tracks, and Dev was singing along in the control booth, and pointing out what's gonna go where, and Byron and I were just getting caught up in his vision, and that's when the goosebumps started. Y'know, even though we've worked on the tunes all the way up to the recording, the rest of the band only really knows the basic elements of each song. The guitars, bass, drums, keys, the basic templates of the vocal-lines, that sorta thing. We all do realize however, that as of those first tracking days, the songs aren't gonna turn out any way close to the way we know them. Dev, on the other hand, has the entire landscape of each tune completely mapped out in his head, and no matter how grandiose my, Jed's, Byron's, or hell, even Willy's vision may be of what the final product might be, it in no way even comes close to what Dev hears in his head from the inception. That, my friends, is only a part of the genius that is Devin Townsend. And I get to work with the musician, save for Stevie Wonder, who inspires me most. HOW FUCKIN' COOL IS THAT? "Okay, I guess that's it for now. I'll be back next week, when we move across town to Profile Studios. Where the rest of the record happens."

Eh..znachi do jaja sto sam uspeo da ih vidim u najjacoj postavi na vreme

Ah Nomad...to je jedina pesma za koju sam znao (skoro) ceo tekst na svirci