Trooper_srbija

pa realno sto da daje pare "profesorima" koji ne mogu da ga nauce sta znaci sweep i cross picking a kamoli nesto drugo... batali ti te profe, nego uzmi skini par dobrih skola gitare sa neta recimo Petrucci Rock Discipline, i cao samo gledaj sta radi i skidaj, covek ima sjajnu tehniku od legata, preko bendinga i sweepa, a o alternativnom necu da pricam ludak

pocni odma da vezbas crosspicking, jer to vecina pocetnika zanemari, i svira kako oni hoce a sa tim ne moze da se improvizuje posle...

pa kad jedini zna da svira...

stvarno ne razumem ljude koji se kjunu u fenixe kao kvalitetne gitare, a ovamo ih prodaju kao zbog losih magneta, pa kod da je tesko promeniti magnet u bridgeu i cao, mislim prodajes celu gitaru koja ti odgovara po svemu uz to je i lepa, samo zbog magneta, gde je tu logika?

najlepse gitare su po meni Super stratovi kao ibanez 1570 ili jackson dinky ili kramer... sve ovo ostalo samo mozda king v dodje u obzir

mogu naravno, ortak je imao jedan strat krs, koji je imao ocajno odradjen volume pot, kad ga samo pipnes izgubi signal a radi samo na 10 i to ponekad, mada ko ga je ugradjivao dobro je i prosao...

svi bre traze bubnjare, ovaj Sharki mora da ima vec 10 bendova do sad... oces da im se javis?!

ma Adrian je najbolji kad je sa Roy Z-em.....

svaka cast za ovog poslednjeg covek ubedljivo moze sve da uci kako se prave solaze najbolji je

ma gitara je dobra ako ti odgovara, taj maple vrat mi deluje sjajno... kakav je ovako taj vrat?

Jel su nabavili ovi iz mitrosa Djaksona DK2M sa maple vratom?! moram da probam to cudo posto vidim da ima i prave Duncan magnete a ne Duncan design... a nije skuplji nego sto su ranije bili DK2 djitre...

e hvala ti sto si ispravio jer decko nije znao na sta sam mislio, da li na švarcenegerov džip ili gitaru? Who cares!

ma dazebe stavljas takva pitanja ovde, jedan ce da kaze epi je sranje uzmi ibanez , drugi da je obrnuto, treci da je najbolji hammer, a neko ce da kaze da ne valja nista od toga... lepo se strpi idi probaj sve to i nemoj da otpisujes nista unapred samo zato sto je neko rekao da ne valja, treba da znas da se kvalitet tih gitara mnogo razlikuje od modela do modela, tako sam ja svirao svog ibaneza, koji je isto low budget iz jedne serije koja je imala sranje finish vrata i tela,i osetno losije drvo, dakle probaj pa vidi sta ti odgovara najvise. tim pre sto imas nekog ko se razume i ide sa tobom

niko nije osporio ovde korisnost GP-a. koliko samo skala ima u njumu gomila akorda itd. samo ni u cemu ne treba preterivati

evo jedne duze al istinite The Life and Art of Bass Playing In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz - nobody knows. Anyway, it was very old ... definitely pre-C.B.S. And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn't be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass. And lo the man looked upon the bass, which was a beautiful 'sunburst' red, and he loved it. He played upon the open E string and the note rang through the earth and reverberated throughout the firmaments (thus reverb came to be.) And it was good. And God heard that it was good and He smiled at His handiwork. Then in the course of time, the man came to slap upon the bass. And lo it was funky. And God heard this funkiness and He said, "Go man, go." And it was good. And more time passed, and, having little else to do, the man came to practice upon the bass. And lo, the man came to have upon him a great set of chops. And he did play faster and faster until the notes rippled like a breeze through the heavens. And God heard this sound which sounded something like the wind, which He had created earlier. It also sounded something like the movement of furniture, which He hadn't even created yet, and He was not so pleased. And He spoke to the man, saying "Don't do that!" Now the man heard the voice of God, but he was so excited about his new ability that he slapped upon the bass a blizzard of funky notes. And the heavens shook with the sound, and the Angels ran about in confusion. (Some of the Angels started to dance, but that's another story.) And God heard this - how could He miss it - and lo He became Bugged. And He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix I would have created the guitar. Stick to the bass parts." And the man heard the voice of God, and he knew not to mess with it. But now he had upon him a passion for playing fast and high. The man took the frets off of the bass which God had created. And the man did slide his fingers upon the fretless fingerboard and play melodies high upon the neck. And, in his excitement, the man did forget the commandment of the Lord, and he played a frenzy of high melodies and blindingly fast licks. And the heavens rocked with the assault and the earth shook, rattled and rolled. Now God's wrath was great. And His voice was thunder as He spoke to the man. And He said, "O.K. for you, pal. You have not heeded My word. Lo, I shall create a soprano saxophone and it shall play higher than you can even think of." "And from out of the chaos I shall bring forth the drums. And they shall play so many notes thine head shall ache, and I shall make you to always stand next to the drummer." "You think you're loud? I shall create a stack of Marshall guitar amps to make thine ears bleed. And I shall send down upon the earth other instruments, and lo, they shall all be able to play higher and faster than the bass." "And for all the days of man, your curse shall be this; that all the other musicians shall look to you, the bass player, for the low notes. And if you play too high or fast all the other musicians shall say "Wow" but really they shall hate it. And they shall tell you you're ready for your solo career, and find other bass players for their bands. And for all your days if you want to play your fancy licks you shall have to sneak them in like a thief in the night." "And if you finally do get to play a solo, everyone shall leave the bandstand and go to the bar for a drink." And it was so.

upravo tako, imao sam prilike da slusam gitariste koji nemaju sluh a skidaju sa tablatura, samo da cujes pod broj 1. njihov bending, eto to je dovoljno mislim da je bendovanje olicije sluha, koliko je neko sposoban da "pogodi" pravu notu, i uopste sama interpretacija.

pa ti su neki unikatni likovi, jer bi trebalo da se otelis da zapamtis 20000 nota kojliko ima doticni malmsteen u jednoj pesmi, nemoj da lupas trebali bi ti dani kad bi ucio po tablaturi

mali budzet :) sta bi ja dao da sam imao 25000 onomad.... pa pazi nemas ti mnogo ibaneza u mogucnosti svega 2-3 modela tako da najbolje idi od mixa i vidi koji ti lezi svi su oni u principu slicni...

I DRAGONFORCE :) e to je domaci skini prvui pesmu sa zadnjeg albuma i skidam kapu

i najveci lik od gitariste Joe Walsh!

koje su dobre a jeftinije zice ovako ispod 400 din osim rotosounda... cujem da u maricu imaju neke za 290 italijanske, sad to je mac s dve ostrice jel ih probao neko, stvarno necu sad leti da stavljam skupe zice kad ce mi se sjebati posle dva jam sessiona

za sada: Steve Vai Satriani Marty Vinnie Moore Gary Moore Billy Gibbons John Petrucci Alex Sckolnick....

pa zajebano je to nositi bas po autobusu stalno se zaglavis na vratima sa onim cudom ogroman vrat...

pa zavisi od kog konkretno mexikanca i amerikanca, ne mozes generelno da gledas neki mexikanci su i blolji od amera, a neki su sto rece marty od piljevine i malo smole tako da moras sam da uporedis.

pa problem je sto u srbiji generano postoji vise strat like " gitara nego svih ostalih zajedno pa ti je zajebano da kupis bas lespaul a da lici na nesto... zna se koji su dobri les paulovi ESP, Edwards, Tokai i naravno Agile, EPI itd.. ali ne ti koje ti navodis neka ti potvrde to i ostali slobodno... uzmi pacificu i nema da brines