Vitamin K Experience

To ti je kad Srbin instalira Windows 2003 Server i na njemu sluša muziku, jer mu je durgar rekao da je stabilniji od XP-a.

Više 3d efekanta. Više eksplozija. Više renderovanih elemenata na tapetu. Moj novi desktop.

Creed shreds http://www.youtube.com/watch?v=HZLjJy0abf8...=response_watch http://www.youtube.com/watch?v=ipy58SaIRhs...re=channel_page

Hah. Ljudi, šta ste zapeli na emotivnost Baklijeve obrade ili čega već? Prihvatite da je ovo mešavina originala i Lordi - Hard Rock Aleluje.

Brate. To. Brian. Transeau. Ne, stvarno, ovo mi se jako dojmi jer me podseća na BT-ov smisao za naglašavanje akustičnih i glič momenata - meni je to pun pogodak.

Meni se totalno ne sviđa Bakli JR-ova emo izlučevina pa mi herojski prizvuk u ovom slučaju više leži, tako da u mom slučaju sumirano to izgleda Aleluja (by PoS) > Aleluja (by Bakli) Poz

Nabroj dva bolja albuma/improvizacije po tvom ukusu.

Rikošet...

U duhu poslednjih stranica:

Bez teksta sam. Najznačajniji post na temi, imho. (Ovaj Chiaroscuro upload)

Njemu se sviđa ASS deo u celoj toj priči.

Ma skini iTunes, nažalost samo tako je meni radio...

Box: Studio 1 This is the debut release by Box: Raoul Björkenheim (guitars, viola da gamba), Trevor Dunn (bass), Ståle Storløkken (keyboards, electronics), Morgan Ågren (drums). Something of an international supergroup, the founding of this excellent ensemble is a touch of genius that remains something of a mystery. Hand-picked by writer and film-maker Philip Mullarkey to record and play live as part of the art/film project Box, the four musicians met for the first time in Atlantis Studio in Stockholm for two short days of recording without having planned, scored or prepared any music in advance. It quickly became apparent that this avant-garde juggernaut was heading in the right direction -- the musical interplay making it hard to believe that these complex pieces were actually improvised on the spot -- again, a testament to instant music-making at the highest level. The music was recorded directly to analog tape and has an organic and rough quality to it. All tracks were mixed from analog tape and there is no digital editing nor Pro-Tooling involved, and no overdubs. Raoul Björkenheim has worked in a wide spectrum of styles, from free jazz improvisations with Edvard Vesala to the Finnish Radio Symphony and UMO orchestras, collaborations with Paul Schütze, Bill Laswell, William Parker/Hamid Drake and Jah Wobble, not to mention his present group, Scorch Trio. Trevor Dunn is a member of Fantômas, John Zorn's Electric Masada, Trio Convulsant and Moonchild. He is one of the most in-demand bass players on the downtown jazz scene in New York and has an eclectic repertoire, having played with artists ranging from Marc Ribot to Melt Banana, Secret Chiefs 3 to Kronos Quartet. Ståle Storløkken is a founder of Supersilent and Humcrush. Morgan is a Grammy-winning musician on both sides of the Atlantic, perhaps best known for his work with the Mats/Morgan Band, as well as with diverse artists such as The Flesh Quartet, Kaipa and Zappa's Universe. [from JazzLoft] 1 Untitled 9 17:19 2 Untitled 11 4:39 3 Untitled 7 4:37 4 Untitled 3 4:30 5 Untitled 13 3:05 6 Untitled 12 8:10 Raoul Björkenheim (guitar) Trevor Dunn (bass) Ståle Storløkken (keyboards, electronics) Morgan Ågren (drums) http://www.demonoid.com/files/details/1815712/2869010/

Može, ali ne bez ovoga:

Haha, ne. Nek' mi se osuši ruka ako ikad nokautiram žensko kao lik u ovom kolažu.

Stand by me.

Najbolji znak zabrane prolaza imho:

Haha. Momenat kada goromom kroz gitaru oživi onog čoveka je borba za metal iz prvog lica.

Put do ženskih srca vodi preko duvačkih instrumenata.

(ne znam da li je bilo)

Istina, jedina meni dobra scena je na grupnoj terapiji.

Ulduar dunđen preview.