Gitare i oprema

[Jellybelly]

Mislis na Marica? Zna mda je OS-2 skupa nov, kopacu malo po oglasima.

[Alex de Large]

ne, maric je kod slavije. ovo je ulica jug bogdana br. 16 na zelenom vencu (preko puta pijace)

[Jellybelly]

Cwkaj, zar nije Sky kod slavije (stanicu pre slavije)? Maric je valjda na vencu, ima tamo onih jebaneza valjda. Kupovao sam zice tamo par puta.

[Alex de Large]

maric je u deligradskoj, sky je iznad slavije, a ova sto ti mislis da je maric je ta prodavnica sto ti treba

 

 

[Dersu Uzala]

ja sam mislio da je metallica svirala mesa boogie od load albuma, da crni nije sniman sa mb...mozda gresim

Nije ni bitno, cisto kao kuriozitet: Metallica snima studijske albume od starta na Mesa Boogie pojacalima (i dan danas takodje). U principu, masina koja im je donela onaj njihov ton iz prve i druge polovine 80-tih je Mark II/C+. Isti je svirao i John Petrucci na prvih 3-4 Dream Theater albuma.

 

P.S. Naravno, u sve to pumpaju odabrani magneti bez kojih nema nista od tog zvuka.

Edited December 13, 2005 by Dersu Uzala

[Alex de Large]

 

JAMES' EQUIPMENT CHRONOLOGY

 

 

 

 

 

 

KILL 'EM ALL

Guitars

Epiphone Flying V

White with golden hardware, dot inlays, Seymore Duncan

pickups

2 volume controls, 1 tone

Can be seen: "Cliff 'Em All" - ("Whiplash")

Last time used live: "Master of Puppets" gigs

Amps

Marshall 100 watt head and 4x12 cabinets - Jose Arrengando

modified

Effects

ProCo Rat Distortion

Picks

Dunlop Green Tortex .88 mm

 

 

 

RIDE THE LIGHTNING

Guitars

 

Gibson Explorer #1

White w/ black headstock, dot inlays, has sported different

stickers

496R/500T ceramic magnet humbuckers were replaced by two

EMG 81 humbuckers in 1987

Can be seen: "Cliff 'Em All" - ("Creeping Death")

Last time used live: "Monsters of Rock" tour

Amps

Marshall 100 watt head and 4x12 cabinets

Picks

Dunlop Green Tortex .88 mm

 

 

 

MASTER OF PUPPETS

GUITARS

Jackson KV1 (King V - Dave Mustaine signature serie)

White, triangle inlays

Duncan humbuckers, replaced by two EMG 81 humbuckers in 1987

 

With this guitar James used to play "The Thing That Should

Not Be"

during "Master of Puppets" gigs

Neck thru body, poplar body, ebony fingerboard

LSR tuning machines

Last time used live: 1987 (Jaymz broke the neck down the

middle)

Amps

Mesa-Boogie Mark C+ amp (re-wired as a pre-amp)

Marshall 100 watt power amp

Marshall 4x12 cabinets

Picks

Dunlop Green Tortex .88 mm

 

 

 

GARAGE DAYS RE-REVISITED

GUITARS

Gibson Explorer #2

White w/ black headstock, dot inlays, EMG 60/81 humbuckers

Different knob layout than on current explorers.

MORE BEER sticker

Last time used live: "... And Justice For All" gigs

Amps

Mesa-Boogie Mark C+ amp (re-wired as a pre-amp)

Marshall 100 watt power amp

Marshall 4x12 cabinets

Pics

Dunlop Green Tortex .88 mm

 

 

 

...AND JUSTICE FOR ALL

GUITARS

White ESP Explorer #1

Extended middle finger inlays, EMG 60/81 humbuckers

EET FUK sticker on body

Can be seen: "Live Shit: Seattle" - most songs

Only used live: "...And Justice For All" gigs

The EET FUK Explorer was autographed by him and reside now

at the

"House of Guitars" (641 Titus Ave. Rocester, NY) the place

where the

"Kill 'Em All" album was recorded.

White ESP Explorer #2

Dot inlays, EMG 60/81 humbuckers

Now sticker covered, most predominatly "So Fucking What" on

rear

horn and "Mud flap woman" on lower horn.

Hetfield's main recording guitar for the "Metallica" and

"Load" album

Can be seen: "A Year and a Half..." and "Nothing Else

Matters" video

Black ESP Explorer #1

Dot inlays, EMG 60/81 humbuckers

FUK EM UP sticker on real horn, LA Raiders sticker between

pickups,

and somehthing on the top of the headstock, I can't make it

out.

Can be seen: "Live Shit: Seattle" - ("The Thing That Should

Not Be")

Last time used live:

"... And Justice For All" gigs or possibly "Black Album"

gigs

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark C+ amp (re-wired as a pre-amp)

Marshall 100 watt power amp

Marshall 4x12 cabinets

Picks

Dunlop Green Tortex .88 mm

 

 

 

METALLICA

Guitars live:

Black ESP Explorer #2

Dot inlays, EMG 60/81 humbuckers

Can be seen: "Live Shit: San Diego" - most songs

Last time used live: Before the "Load" gigs

Black ESP Explorer #3

'Man to Wolf' inlays, EMG 60/81 humbuckers

Can be seen: "Live Shit: San Diego" - ("Harvester of

Sorrow")

Still used live

Black ESP Explorer #4

'Black Album Snake' inlays, EMG 60/81 humbuckers

Mainly used as a D-tuned guitar

Can be seen: "Live Shit: Seattle" - ("Sad But True")

Black ESP Explorer #5

National Rifle Association inlays, EMG 60/81 humbuckers

Probably never played live

Black ESP Explorer #6

Deer Skull inlays, EMG 60/81 humbuckers

Last used live: Before the "Load" gigs

ESP Double Neck Explorer #1

Black, duck inlays, EMG 60/81 humbuckers (each neck)

12 string top neck, 6 string bottom neck

Can be seen: (barely) inside the Live Shit booklet

In Montreal on 8th August '92 James was burnt in a pyro

accident with

this guitar. James used to play "Fade to Black" with this

guitar.

Last time used live: "Black Album" gigs

Gibson Chet Atkins Accoustic/Electric

Black, gold hardware

Body: Solid Spruce top, Acoustically chambered Mahogany back

 

Neck/Profile: Mahogany/Modern classic

Fingerboard/Inlay: Rosewood/None

Scale/Nut Width: 25 1/2"/1 13/16" (CE) or 2" (CEC)

Binding: Multi-ply top

Pickups:Gibson Hex piezo bridge transducer

Controls:Active volume, Active volume, treble and bass

(boost and cut)

on rim Internal individual string volume adjustment

Can be seen: "Live Shit: San Diego" - ("The Unforgiven")

Last used live: Before the "Load" gigs

Studio:

Gretsch White Falcon II (model 7594)

Coral Electric Sitar (Red)

12 string electric-guitar

 

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie 100 watt power amp

Mesa-Boogie 4x12 cabinets

For the "Black Album" gigs and beyond, equip manager and

bass roadie Zack Harmon designed speaker coffins for

consistant tone. These were essentially large road cases

housing a speaker cabinet, sound dampening and fixed positon

microphones (Senheiser 421s).

Picks

Dunlop Green Tortex .88 mm (Metallica logo / TBA snake)

 

 

 

LOAD

Guitars

 

Black ESP Explorer #7 - Elk Skull

Barbed wire inlays, EMG 60n/81b humbuckers

4-M logo burnt on back of guitar

Wood burning and graphics by Dino Murdian

Elk skull graphic on body (which looks more like a deer

skull graphic)

Can be seen: "Cunning Stunts" - ("So What"), "The Memory

Remains" - video, Still used live

Ken Lawrence Explorer

Mahogany body w/ Chichino bark laminate,

EMG 60n/81b humbuckers

'Tribal Hunting Scene' inlays

Modified Kenneth Lawrence headstock

Can be seen: "Cunning Stunts" - ("One")

James uses this guitar for the most songs live

Still used live

ESP JH-1 Flying V #1

Black, 'Red Hot-Rod Flame' graphics, EMG 60/81 humbuckers

4-M inlay at 1st fret, top of M at each other fretmarker

Similar model availiable as ESP JH-1

Can be seen:'Guitar World Presents Guitar Legends: Metallica

edition'

Occasionally still used live

ESP JH-1 Flying V #2

Black, 'Fuel Injected' graphics, EMG 60/81 humbuckers

4-M inlay at 1st fret, top of M at each other fretmarker

Stickers: Corvette racing flags

Can be seen: "Cunning Stunts" - ("Kill/Ride Medley") and

inside ReLoad booklet

Still used live

ESP Black Explorer #8 - Black Diamond Plate

Black w/ black diamond plate (on body), EMG 60/81 humbuckers

 

Elk skull inlays

Used as D-tuned guitar

Similar model available as ESP JH-2

Can be seen: "Cunning Stunts" - ("Sad But True")

Still used live

ESP Black Explorer #9 - Black Diamond Plate

Black w/ black diamond plate (on body), EMG 60/81 humbuckers

 

Inlays: 4M logo at 1st fret and diamonds at the rest

Used as a D-tuned guitar

Similar model available as ESP JH-2

Can be seen: "I Disappear" video

Never used live

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie Triaxis preamps

Mesa-Boogie 100 watt power amp

Mesa-Boogie 4x12 cabinets in sound coffins described above

Picks

Dunlop Green Tortex .88 mm (Metallica logo / 4M Ninja Star)

 

 

 

RE-LOAD

Guitars

 

Fender '52 Telecaster

Butterscotch w/ black hardware

Equiped with a Parsons-White B-bender system

Can be seen: 'American Music Awards 1998' which is the only

live performance of "The Unforgiven II"

National Reso-Lectric

Red, resonator type guitar

Used for accoustic sets on "ReLoad" gigs

ESP Rounded Top Eclipse

Black w/ white bindings and white accents, EMG 60/81 pickups

 

Flag inlays, gold hardware

Similar model available as ESP JH-3

Can be seen: "MTV ReLoad, Rehearse, Request"

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie Triaxis preamps

Mesa-Boogie 100 watt power amp

Mesa-Boogie 4x12 cabinets in sound coffins described above

Picks

Dunlop Green Tortex .88 mm (Metallica logo / 4M Ninja Star)

Dunlop Green Tortex .88 mm (Metallica logo / Fixxxer Doll)

 

 

 

GARAGE INC. / S&M

Guitars

1963 Gibson SG

Cherry Red, mahogany body, chrome hardware

490R/498T Alnico magnet humbucker

Mahogany neck, rounded profile, rosewood fingerboard

Trapezoid inlays

Scale/Nut Width: 24 3/4"/1 11/16"

Binding: Fingerboard

Bridge/Tailpiece: ABR/Stop bar

Controls: Two volume, two tone, three-way switch

Can be seen: "Turn the Page" video

1966 Martin D-28 (acoustic)

Amps

Roland Jazz Chorus 120

James used Wizard amps and cabinets for the "Garage Inc."

gigs, but after these gigs he switched back to the

Mesa/Boogie amps and cabinets.

Picks

Dunlop Green Tortex .88 mm

 

 

 

SUMMER SANITARIUM TOUR

Guitars

ESP Black Explorer #10 - Chrome Diamond Plate

Black w/ chrome diamond plate (on body & headstock), EMG

60/81

humbuckers

Inlays: Mother of pearl 4M logo at 1st fret and diamonds at

the rest

Used as a D-tuned guitar

Similar model available as ESP JH-2

Can be seen: "MTV Movie Awards 2000" - live performance of

"I Disappear"

Otherwise never used live

ESP Black Explorer #11 - Chrome Diamond Plate

Black w/ chrome diamond plate (on body & headstock), EMG

60/81

humbuckers

Inlays: Abalone colored 4M logo at 1st fret and diamonds at

the rest

Used as a D-tuned guitar

Similar model available as ESP JH-2

Still used live

Amps

4x customized Mesa Boogie Tri-Axis preamps

2x Mesa Boogie Strategy 400 power amplifiers

Mesa/Boogie 4 x 12" speaker cabinets

Wizard 4 x 12" speaker cabinet

Mesa Boogie Tremoverb 2 x 12" combo amp

 

 

James' ESP guitars (unless otherwise noted): Are built or

overseen by Matt Masciandaro. James guitars are

neck-through-body constructed. They mainly have maple necks

and mahogany bodies. All of the ESP guitars have rosewood

fretboards except for the "Black Album" guitars which are

Ebony. All hardware (tune-o-matic bridge, stop piece and

tuners) is black. There are Gibson style 3 way switches, and

2 volume controls (one for each pickup).

[Alex de Large]

KIRK's EQUIPMENT CHRONOLOGY

 

 

 

 

 

 

KILL 'EM ALL

Guitars

Gibson Flying V #1

Black w/ white pickguard

2 pickups which were eventually changed to EMG 81s in 1987

2 volume controls, 1 tone, triangle layout, set neck

Was the main recording guitar for the first four albums

The neck is glued on

Can be seen: "Cliff 'Em All" inbetween "No Remorse" & "Metal

Militia"

Last time used live: "Master of Puppets" gigs

Gibson Flying V #2

Red w/ white pickguard

1 Seymore Duncan pickup, the other pickup was taped over

2 volume controls, 1 tone, straight line layout, set neck

Can be seen: Is an infamous picture of Lars holding 2 V's

while getting

hit with a sledgehammer.

Last time used live: "Kill 'Em All" gigs

Fernandes Flying V

Black w/ white pickguard

1 bridge pickup, set neck

1 volume control, 1 tone

Can be seen: "Cliff 'Em All" - ("No Remorse")

Last time used live: "Kill 'Em All" gigs

Amps

Marshall 2-100 watt head and 4x12 cabinets

he also used James Hetfield's modified Marshall amp

Effects

Boss distortion pedal

 

 

 

RIDE THE LIGHTNING

Guitars

 

Jackson Randy Rhodes Custom

Black, EMG 81 humbucker

Neck-through body, string through body (no stop bar, only

tune-o-matic)

Kirk picked this guitar up at the Jackson factory while they

were on tour. The guitar was just finished. In fact, he had

to wait 2 hours for the glue on the nut to dry and for the

guitar to be setup and strung!

After the "... And Justice For All" tour, the guitar became

mostly a D-tuned guitar

Can be seen: Cliff 'Em All - (Creeping Death),

and Live Shit: San Diego- (Sad But True)

Still used live

Fernandes Stratocaster #1

Black w/ white pickguard

3 single coil pickups (lace sensors?), Bolt-on neck, Floyd

Rose trem

1 volume control, 2 tone

Unknown graphic below trem

Can be seen: "Cliff 'Em All" - ("The Four Horsemen")

Last time used live: "Master of Puppets" gigs

Amps

Marshall 100 watt head and 4x12 cabinets

 

 

 

MASTER OF PUPPETS

Guitars

Same as on previous albums

Amps

Mesa-Boogie Mark 2C amp (re-wired as a pre-amp)

Marshall 100 watt power amp

Marshall 4x12 cabinets

 

 

 

GARAGE DAYS RE-REVISITED

Guitars

Same as on previous albums

Amps

Same as on Master of Puppets

 

 

 

... AND JUSTICE FOR ALL

Guitars

ESP M-II #1 "Skull and Crossbone"

Black, 2x EMG 81 humbuckers

Skull and Crossbone inlays, reverse headstock

Pushead skull sticker on body

This guitar was Kirk's original ESP MII. The headstock is

slightly different than his following ESPs, the flat part is

on the side of the headstock on this guitar, while the

following ones are flat at the top of the headstock. Also,

the skull inlays on this first ESP are oriented differently

than his other one. The skulls are up and down when the

guitar is in its stand, and his second one the skulls are up

and down when the guitar is actually being played.

This guitar now resides at the Rock and Roll Hall of Fame in

Cleveland Ohio.

Can be seen: "Live Shit: Seattle" - ("The Four Horsemen")

Only used live: "...And Justice For All" gigs

Gibson Les Paul Custom

Black, white binding on body, tune-o-matic bridge

2x EMG 81 humbuckers, gold hardware

2 volume, 2 tone

Can be seen: "Live Shit: Seattle" - ("Welcome Home

(Sanitarium)"),

"Cunning Stunts" - ("Guitar/Bass doodle")

Still used live

Tom Anderson ProAM (x2)

Ash, Basswood body and Floyd Rose bridge

The neck and middle pickup are ultrasonic stacked single

coils and the bridge is a Tom Anderson H3. This one has a

Floyd with a switcheroo switching system. The finish is a

black & white bowling ball. The neck is maple/ Pau Ferro and

has TA standard back shape with a 1 11/16" nut width EMG

81(neck), Anderson single coil pickups (during "Justice"

tours)

For recording "Metallica" and "Black" tours: EMG 81(neck),

EMG-S single coil pickups

Bolt-on neck, dot inlays

Can be seen: "Live Shit: Seattle" - ("Seek and Destroy")

Last time used live: "Black Album" gigs

Jackson Soloist

Red w/ black pickguard

1x EMG 81, 2x single coil pickups

Floyd Rose bridge, bolt on neck

Can be seen: "Live Shit: Seattle" - ("The Thing That Should

Not Be")

Amps

Mesa-Boogie power-amp

Mesa-Boogie '88 preamp

Effects

Aphex parametric EQ

Around the time of "...And Justice for All", Kirk starts

using a midi based and controlled system. Presets are

controlled for each song (EQ, wah ect.) and can be changed

off stage by his roadie Ian Ferguson. There is a large

ammount of gear in Kirk's sound.

 

 

 

METALLICA

Guitars

 

ESP KH-1 Flying V "Devil"

Black w/ white, EMG 81 humbucker, 1 volume control

Dancing devils inlays

Similar model available ESP KH-1

Can be seen: "Live Shit: San Diego" - ("Last Caress")

Only rarely used live

Still used live

ESP KH-2 M-II #2 "Skull & Crossbones II"

Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control

Skull & crossbone inlays

A red "Caution HOT" sticker now covers a large chip in the

finish below the bridge, and a small sticker saying "Kirk's

Guitar" above the neck pickup.

Similar model available as ESP KH-2

Can be seen: "Live Shit: San Diego" - ("Harvester of

Sorrow")

Still used live

ESP KH-2 M-II #3 "Ouija"

Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control

Ouija board graphics between the pickups

Half moon & star, star inlays

Similar model available as ESP KH-2 Ouija

(The ESP KH-2 Ouija with the 'Half Moon & Star' inlays are

the later constructions and the ones with the 'Skull &

Crossbones' inlays are the earlier constructions of the

signature ESP KH-2 "Ouija" serie)

Can be seen: "Cunning Stunts" - ("Ain't My Bitch")

Still used live

ESP Eclipse #1 "Spider"

Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control

A pushead designed spider graphic is located below the trem

Similar model available ESP KH-3

Can be seen: "Live Shit: San Diego" - ("Enter Sandman")

Still used live

ESP KH-4 M-II #4

Black, with mother-of-pearl pickguard

2x EMG 81 humbuckers, 2 volume and 1 tone control

Neck-through-body, rosewood fretboard, dot inlays

Floyd Rose bridge, black hardware

You can see the order form for this guitar in the Live Shit

book. Kirk uses this guitar with his Roland VG-8 midi

processor for recording.

Similar model available as ESP KH-4

Never used live

Fender Stratocaster

Cream with white pickguard, 3 Fender Lace Sensor pickups,

1 volume and 2 tone control

Bolt-on neck, rosewood fretboard

Can be seen: "Live Shit: San Diego" - ("The Unforgiven")

Last time used live: "Black Album" gigs

Ibanez RG470

Black, Ibanez Infinity pickups

(humbuckers at neck and bridge, single coil at mid)

1 volume and 1 tone control

Bolt-on neck, rosewood fretboard

Floyd Rose Bridge, black hardware

The guitar has been beaten up pretty bad, the bottom of the

guitar is duct taped together.

Can be seen: "Live Shit: San Diego" - ("Guitar solo

(Mistreated)")

Gibson Flying V #3

Black w/ white pickguard

2 Gibson PAF pickups

2 volume controls 1 tone, straight line layout, set neck

Gold hardware, tune-o-matic bridge

Can be seen: "Live Shit: San Diego" - ("Fade to Black")

Only used live: "Black Album" gigs

 

 

Amps

Roland Jazz Chorus 120

Mesa-Boogie Triaxis preamps

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie 100 watt power amp

Mesa-Boogie 4x12 cabinets

Studio:

Marshall cabinets with 30 watt speakers

VHT power-amp

Effects

Bradshaw preamp

For the "Black Album" gigs and beyond, equip manager and

bass roadie Zack Harmon designed speaker coffins for

consistant tone. These were essentially large road cases

housing a speaker cabinet, sound dampening and fixed positon

microphones (maybe: Senheiser 421s).

Kirk Hammett: "I used a Bradshaw because the mids were clean

and the low end sounded real percussive. The harmonic

distortion also sounded nice and dirty. For the highs we

used two Marshalls. We combined all the sounds and put the

Bradshaw pre-amp through a VHT power-amp. We put it all

through Marshall cabinets with 30-watt speakers and blended

all the room mikes. My sound is a lot thicker and punchier

than before, and I think it's better than ever. For the

majority of the leads on this album I used a third ESP

guitar. I also used my 1989 black Gibson Les Paul Custom.

For the clean sound, I used a '61 stock white Strat

[stratocaster] and a Fender blac- face Deluxe. I also used a

'53 Gibson ES-295 style, and an ESP Les Paul Junior with EMG

pickups."

source: GuitarWorld issue of '91

 

 

 

LOAD

Guitars

ESP KH-2 M-II #5 "Mummy"

Original graphic from the movie "The Mummy" staring Boris

Karloff

2x EMG 81 humbuckers, 2 volume and 1 tone control

'The Eye of Horus' inlays

This guitar can not be ordered, because Kirk owns the rights

of the drawing

Can be seen: "Cunning Stunts"

Still used live

ESP Wavecaster

Hollow plexi-glass Telecaster body filled with blue wave

machine fluid,

rosewood fretbard

1x EMG 81 humbucker, 1 volume control

This is one of two guitars made by ESP. It was initally

supposed to be a lava lamp, then a snow globe. The guitar is

filled with the same fluids as a wave machine.

Can be seen: "Cunning Stunts" - ("Am I Evil")

Only used live for "Cunning Stunts"

ESP LTD

Black, dot inlays

Seymour duncan humbucker (bridge), single coil (neck)

1 volume and 1 tone control

Can be seen: "Cunning Stunts" (Kirk's guitar-smash)

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie Triaxis preamps

Mesa-Boogie 100 watt power amp

Mesa-Boogie 4x12 cabinets in sound coffins described above

For amplification, Hammett uses a Marshall JMP-1 preamp, and

a Mesa-Boogie Rectifier preamp into a Mesa-Boogie Strategy

400 Stereo power amp. Effects and preamp switching are

accomplished with a BRADSHAW RSB 18R Rack Switcher with a

remote pedal board. Kirk's tech, Justin Crew, uses the

pedalboard enabling Hammett to have free reign of the stage.

This also keeps the stage less cluttered due to the size of

the pedalboard.

 

 

 

RE-LOAD

Guitars

Gibson Les Paul Standard

Cherry Burst

Gibson PAF pickups, gold hardware

Can be seen: "Memory Remains" video

Dan Electro U2

Black with white pickguard

Standard lipstick pickups

Can be seen: "The Unforgiven II" video

Godin Multiac

Blonde

Used for accoustic sets during the "ReLoad" tours

ESP Semi-Acoustic Eclipse

Red, semi-hollow mahogany body, rosewood fingerboard, dot

inlays

Piezo electric pickup with active EQ system, 1 volume

control

Used for the acoustic parts of the live show

Amps

Roland Jazz Chorus 120

Mesa-Boogie Mark IV amp (re-wired as a pre-amp)

Mesa-Boogie Triaxis preamps

Mesa-Boogie 100 watt power amp

Marshall JCM 900 preamps

Marshall 4x12 cabinets in sound coffins described above

 

 

 

GARAGE INC. / S&M

Guitars

ESP Eclipse #2

Black, tune-o-matic bridge, black hardware

Neck-through-body, rosewood fretboard

EMG 81/81 pickups, 2 volume and 1 tone control

Pushead spider inlays at frets 1, 3, 5, 7, and 9

Skull and crossbone inlays at frets 12, 15, 17, 19, 21 and

24

This guitar is similar to the one ESP made for Kirk during

the "Black Album" gigs (the KH-3 model) except it is missing

the Spider graphic and the Floyd Rose trem.

This guitar is used to be played D tuned.

Can be seen: "MTV's: Metallica at Roseland Ballroom" - ("The

Small Hours"). Could possibly be the replacement for his

Jackson Rhodes.

Still used live

Amps

Same as on previous album

Kirk also used Wizard 4x12" cabinets during the "Garage

Inc." gigs

 

 

 

SUMMER SANITARIUM TOUR

Guitars

ESP M-II #6 "Frankenstein"

Its body's graphic is Boris Karloff as "Frankensetin's

Monster"

2x EMG 81 humbuckers, 2 volume and 1 tone control

The writing THE MONSTER IS ALIVE! as inlays 2 red lights as

the graphic's eyes, inlays glow green in the dark

Still used live

Amps

Same as on previous tour

 

 

 

Kirk's ESP guitars (unless otherwise noted):

Are built or overseen by Matt Masciandaro. Kirk's guitars

are maple neck-through-body designs with alder bodies. All

of the ESP guitars have rosewood fretboards. All hardware

(tune-o-matic bridges, stop piece, or Floyd Rose bridges and

arms, and tuners) is black. Most have Fender style 3 way

slot switches, 2 volume controls (one for each pickup) and 1

tone.

 

[Alex de Large]

eto detaljna oprema, nije MB od pocetka. za ugovor sa mesom su dobili lepe pare. no nije ni toliko bitno

[Alex de Large]

digitech i scott ian izbacili novu pedalicu

 

 

voleo bih ovo probati

[Dersu Uzala]

eto detaljna oprema, nije MB od pocetka. za ugovor sa mesom su dobili lepe pare. no nije ni toliko bitno

kad rekoh, od starta, rekoh to u kontekstu odgovora nekome gore navedenom ko je imao dilemu oko toga da li su poceli da koriste Boogie od Crnog albuma ili malo ranije (ili cak kasnije). Ne secam se tacno vise ni kad je izasao Crni album (1991?) ali su oni kao sto i sam vidis poceli da koriste Mark II/C+ sredinom 80-tih, kojeg tacno dana tesko je reci. Prvi II/C+ je izasao sa proizvodne trake tek negde u 83-oj i retko ko je tada uopste i svirao Boogie (sem Santane i nekih fusion likova).

 

Ubuduce cu pokusati da budem konkretniji. U svakom slucaju , mnoge legende kruze oko svega toga.

 

 

[Guest حسين]

digitech i scott ian izbacili novu pedalicu

 

 

voleo bih ovo probati

Sviđa mi se hromirani finiš

 

Ali to ne mora ništa da znači...

[Uros]

PITANJE!

 

Interesuje me Marshall-ova glava Valvestate! Ima neke efekte tipa korus i sl. Interesuje me da li slignal prolazi kroz procesor (kapiram mora da postoji nekakav procesing za te efekte?!) cak i kada su svi ti efekti ugaseni?!?!

 

Mnogo bi mi pomoglo kada bi neko znao odgovor na ovo pitanje?!

 

 

pozz

 

 

1!!!

[Dersu Uzala]

PITANJE!

 

Interesuje me Marshall-ova glava Valvestate! Ima neke efekte tipa korus i sl. Interesuje me da li slignal prolazi kroz procesor (kapiram mora da postoji nekakav procesing za te efekte?!) cak i kada su svi ti efekti ugaseni?!?!

 

Mnogo bi mi pomoglo kada bi neko znao odgovor na ovo pitanje?!

 

 

pozz

 

 

1!!!

Ne prolazi, naravno. Daj neko teze pitanje...

[Uros]

Hvala za odgovor! Imamo jos jedno pitanje, koliko si siguran?! Ipak ja odgovaram na pitanje za 1 500 000 din. moram da znam koliko si siguran!

 

 

pozz

[Cwiya]

PITANJE!

 

Interesuje me Marshall-ova glava Valvestate! Ima neke efekte tipa korus i sl. Interesuje me da li slignal prolazi kroz procesor (kapiram mora da postoji nekakav procesing za te efekte?!) cak i kada su svi ti efekti ugaseni?!?!

 

Mnogo bi mi pomoglo kada bi neko znao odgovor na ovo pitanje?!

 

 

pozz

 

 

1!!!

Cisto da znash da nijedno OZBILJNO pojacalo NEMA efekte bash zbog SINTETICKOG zvuka!To je to.Bolje razmisli pa probaj da nadjesh JCM800 ili neshto slicno u tom fazonu,bolje cesh proci,a i cena nije UOPSHTE visoka!

[Cwiya]

Inetesuje me da li negde kod nas ima da se kupi cuvena

MARSHALL SHREDMASTER pedala???

Na njoj svira kod nas Zafa i koristi je za solaze iskljucivo i ima perfektan zvuk!!!Rekao mi je da se ne proizvodi vishe i da bi on kupio josh dve da ima da se kupi,pa zato pitam vas da li neko ima ili poznaje nekoga ko ima i prodao bi tu pedalu?!?

[Uros]

ovo za efekte i ozbiljna pojacala se slazem, ali samo delimicno... nego, postoji tu mnogo veci problem a to je, kao i uvek, novac...! Svi bi mi voleli neko ozbiljno i skupo pojacali ali ne moze...

 

 

bedak!

 

 

pozz

[Шарки]

Inetesuje me da li negde kod nas ima da se kupi cuvena

MARSHALL SHREDMASTER pedala???

Na njoj svira kod nas Zafa i koristi je za solaze iskljucivo i ima perfektan zvuk!!!Rekao mi je da se ne proizvodi vishe i da bi on kupio josh dve da ima da se kupi,pa zato pitam vas da li neko ima ili poznaje nekoga ko ima i prodao bi tu pedalu?!?

'Oćeš kupiš ZOOMa?

[Alex de Large]

'Oćeš kupiš ZOOMa?

[Alex de Large]

Inetesuje me da li negde kod nas ima da se kupi cuvena

MARSHALL SHREDMASTER pedala???

Na njoj svira kod nas Zafa i koristi je za solaze iskljucivo i ima perfektan zvuk!!!Rekao mi je da se ne proizvodi vishe i da bi on kupio josh dve da ima da se kupi,pa zato pitam vas da li neko ima ili poznaje nekoga ko ima i prodao bi tu pedalu?!?

kako sluzi rocktron?

[Џрк]

sta mislite,da li vredi uzeti Ibanez Prestige RG,tipa natural boja,neck through,mahagoni,prema ibanezovim specifikacijama drvo su birali eksperti i uzeli su ono najbolje mada ja bas i ne verujem.Gtr stajeoko 2000 dolara...mislim,nema se naravno para za to,ali me interesuje da li je neko svirao,iskustva itd...

[Џрк]

e,ljudi zna neko nesto vise o HH pojacalima.Ima jedno u Surchinu,sa mojim metalmasterom daje mnooogo dobar zvuk,rezzze!Neko?

[Mr. Smarty]

sta mislite,da li vredi uzeti Ibanez Prestige RG,tipa natural boja,neck through,mahagoni,prema ibanezovim specifikacijama drvo su birali eksperti i uzeli su ono najbolje mada ja bas i ne verujem.Gtr stajeoko 2000 dolara...mislim,nema se naravno para za to,ali me interesuje da li je neko svirao,iskustva itd...

Vredi.

 

Svi novi Prestige Ibanezi naprosto izuvaju

[Cwiya]

'Oćeš kupiš ZOOMa?

TESHKO

[Cwiya]

kako sluzi rocktron?

Ma ok je on nego slabo ga koristim zato shto sam uzeo sada novo pojacalo koje ima nikad jaci svoj dist tako da mi ova sluzi eventualno kao "solo boost" ili bash za heavy Pantera trip!!