Proizvodnja i kastomizacija gitara

[Usher]

Premda ne vidim zašto forsirati strane reči...

Silovati? Treba biti umeren. Mene recimo nervira terminologija u mom udžbeniku iz programiranja. Gotovo je sve srbizovano, i ja ne mogu da se snađem...

Mislim da je preterano reći "sumeđa" umesto "interface" kao što je preterano reći "selektovati" (neku stavku u meniju) u uputstvu za neki mobilni telefon...

Umerenost, strane reči jedino u nedostatku adekvtnog (i smislenog) ekvivalenta u srpskom jeziku.

 

Da ne oftopikujem sad, ali samo da napomenem da ću da zabodem nož u oko onome od koga čujem anglosaksonsku konstrukciju rečenice sa "ikad" (ever) na kraju ("Pr. Najbolji film IKAD.")...

ШТА ЈЕ AGATHIS КОЈИ КУРАЦ!?!?!

To ti je AGATIS, evo piše ti ovde. To je kao da si pitao šta je to Papaja, Guava, Avokado i Pasiflora, i kako se to zove na srpskom (Jabuka? Kruška?)...

 

[Cika Srba]

Cika Nurge gde mogu da vidim neki od tvojih radova, recimo neku gitaru koju si ti napravio?

[Tomislav Sawyer]

Mislim da Nurg odavno ovde ne dolazi. Mozda da mu posaljes PM ili jos bolje email ako ga je ostavio.

[Dersu Uzala]

...odavno ovde ne dolazi...

 

Faljen Isus.

[Dersu Uzala]

..."sumeđa" umesto "interface"

 

Moj ortak lepo kaze 'interfaza' . Inace, nisam znao to za sumeđu.

 

 

 

("Pr. Najbolji film IKAD.")...

 

Cek, a "Najbolji film svih vremena." bi bilo ok?!? WTF?

[Usher]

Moj ortak lepo kaze 'interfaza' . Inace, nisam znao to za sumeđu.

Ma... Zbog takvih stvari sam pao ispit prošli put... Uzeo ja na početku godine udžbenik, prelistao ga i bio u fazonu "WTF? Šta je bre ovo?" i iskulirao i fotokopirao Kernighan/Ritchie original iz '78. I dođem na ispit, a profa špreha "srpsku" terminologiju... A ja dve stvari ne mogu da povežem...

 

Ćuti, hrvati su otišli još dalje sa svojim čvrsnikom, pržilicom i piknicom...

P.S. Pre neki dan dižem neki paket u pošti i gledam šalterušin CRT crno-zeleni monitor sa nalepnicom "Ei Niš Video Prikazivač"... Nešto mi bilo smešno...

Cek, a "Najbolji film svih vremena." bi bilo ok?!? WTF?

"Najbolji film svih vremena" je rečenična konstrukcija tipična za srpski jezik (i generalno za slovenske jezike), a igrom slučaja postoji i u engleskom, dok je "Najbolj film ikad" konstrukcija koja postoji samo u engleskom jeziku (možda i u još nekom germanskom). Sve ovo pričam jer mi se pola familije bavi / bavilo nekim oblikom lingvistike i užasava ih, koliko i mene, takvo ophođenje prema maternjem jeziku.

 

Ok, uzeli smo tu englesku konstrukciju pridev + imenica + IKAD, e, pa jel' vam ikad palo na pamet da je to podjednako glupo, nelogično i neprimereno srpskom jeziku koliko bi bila i francuska konstrukcija imenica + pridev. Npr. "Video sam u dvorištu mačku belu." ili "Sviram gitaru bas.". Debilno je, zar ne? A neko se odlučio za onaj prvi debilizam, a ne za ovaj drugi- zašto? Zato što engleski sluša malte ne svakodnevno i misli da se stvari bez frke mogu bukvalno prevoditi... Uključujući i red reči u rečenici...

 

Postoje i bezazleniji oblici anglizacije, npr.

"Do jaja sam se proveo... GISTRO!" <=>

"I've had a hell of a good time... NOT!"

 

No, sve je ovo za "snagu reči" ili još bolje za globalizaciju (a ja tamo ne zalazim), tako da apelujem na građane da ne kaljaju temu. Ti i ja smo je baš izoveravali...

[Dersu Uzala]

Dobro dobro, kontamo, ne moras triput da postujes jednu istu stvar. Nego, mi (Srbi, Englezi i Ameri, to smo svi mi) konstruisemo, kako i sam napomenu, pridev + imenicu i onda sta vec treba. Frantjezi i 'talijanci ??? Cik pogodi. Znaci, 'teska borba' iliti 'difficult struggle' (sto bi neko rekao, jel'da, jihad na arapskom). Aj' sad probaj na francuskom i/ili 'talijanskom. To te ne nervira? Ili si selektivan po pitanju debilizacije. Ima tak'ih primera joste. A o pasivu i da ne pricamo. Obozavam pasiv isto kol'ko i aktiv.

[Dersu Uzala]

Naravno, isti vazi za pridev + glagol kombo

[Jimmi]

Koja ovo tema bese?! ^^

[Secracon]

@ Dersu Uzala & Usher

 

Ako nakon ove vaše rasprave čujem nekoga da je drugu žicu gitare i petu žicu (petožičane) bas gitare nazvao "B"...

 

...kako ono beše sa nožem i okom?

 

 

:pivopije:

 

ps.

Mađarsku rečenicostrukturu za i rečored za a šta rekli biste?

[Dersu Uzala]

Mađarsko rečenicostrukturo i rečored za rekli bismo ok je sasvim .

[Usher]

Ili si selektivan po pitanju debilizacije.

Ne, rekoh i jedno i drugo je debilno, a narod se u'vatio baš za jedno...

Ja sam "selektivan" po pitanju očuvanja srpskog jezika i zdravog razuma.

A o pasivu i da ne pricamo. Obozavam pasiv isto kol'ko i aktiv.

E, da- pasiv ljudi obično jako loše prevode...

A najjači su mi oni tekstovi za koje vidiš iz aviona da su prevođeni sa nemačkog, jer koriste infinitive i glagol na kraju rečenice... Istu foru furaju hrvati... Čisto da bi bilo drugačije od srpskog...

Ako nakon ove vaše rasprave cujem nekoga da je drugu žicu gitare i petu žicu (petožicane) bas gitare nazvao "B"...

A H C D E F G B I J K L M N O P Q R S T U V W X Y Z

Nešto ovde ne valja...

Ja mogu da šljakam u bilo kom sistemu... la-si-do / a-h-c / a-b-c, tako da mi nije bitno kako ko šta zove...

Madarsku recenicostrukturu za i recored za a šta rekli biste?

I oni, i oni tamo "gore"... Suomi i ti tripovi... To nije evropski jezik, pa nema ni tipično-evropske rečenične konstrukcije...

[Dersu Uzala]

Vidi ga, lingvista tatin . Ja sam shvatio da nista ne shvatam ovde.

[imaginos]

Ja sam "selektivan" po pitanju očuvanja srpskog jezika i zdravog razuma.

eh.... bio jednom jedan covek koji se zvao vujaklija, i napisao je jednu zanimljivu knjigu. nakon sto sam malo prelistao tu knjigu poceo sam da razmisaljam (zlobnici bi rekli da sam tek data "pustio" svoju prvu misao ) u sledecem pravcu:

- ako je "ocuvanje" naseg, ili bilo kog jezika, zapravo odbrana od stranih reci, koliko je to dobro za nas? ja mislim da strane reci i izrazi zapravo obogacuju nas jezik. (od kad znam za sebe, svi vicu jedni drugima "cao". pravi srBski pozdrav, nema sta)

 

bilo bi zanimljivo na neko pokusa da napravi "anti-vujaklijin recnik": da izbaci sve turcizme, sve reci engleskog, francuskog, nemackog porekla, pa da vidimo sta bi ostalo. bila bi to jadna i tanka knjiga.

 

a taj engleski jezik od koga se branimo je u izvornom obliku (iz vremena kad su skopi bili jedini vid telekomunikacija ) vise licio na komandovanje nemackog oficira sa govornom manom i krompirom u ustima. njima je ikona sekspir, lik koji je, ako se dobro secam, izmisljao reci kad ne bi mogao da nadje neku vec postojecu koja mu treba. inace, kako se bese kaze "verenik/verenica" na engleskom? odakle to?

 

p.s.

kad bi sutra izbacili sve reci nemakog porekla iz naseg jezika, mislim da bi svaki automehanicar u srbiji mogao da zatvori radnju. ;-)

 

 

VRHUNAC OFFTOPIKA (ovo do sada nije vidjeno na forumima):

• arapski
• portugalski
• holandski
• italijanski

...su jezici koje bih ja voleo da znam.

[Dersu Uzala]

..."verenik/verenica"...

 

 

Meriam-Webster Online

--------------------------

 

 

fiance

One entry found.

 

fiance

 

 

 

Main Entry: fi·an·cé

Pronunciation: \ˌfē-ˌän-ˈsā, fē-ˈän-ˌ\

Function: noun

Etymology: French, from Middle French, from past participle of fiancer to promise, betroth, from Old French fiancier, from fiance promise, trust, from fier to trust, from Vulgar Latin *fidare, alteration of Latin fidere — more at bide

Date: 1838

: a man engaged to be married

 

[Routasydän]

Ljudi dosta sa lingvistikom, vratite se na temu

[Шарки]

Да, објасните ми од чега ми је Шаркастер. Дакле, agathis је шта, гледајући квалитет дрвета и остало...

[Mr. Smarty]

Agathis ti je nesto kao "komercijalna mahagonija" ...ima slicne zvucne karakteristike pa ga neki zovu tako zato sto je znatno jeftinije od mahagonije...inace raste u Australiji (kao tamo satro raste na svakom cosku ) i mislim da Srbi nemaju "svoj naziv" za to drvo ...znaci ostaje Agathis...

 

 

Edited July 15, 2007 by Marty F

[Usher]

Vidi ga, lingvista tatin

Dedin, babin, bratovljev.

ja mislim da strane reci i izrazi zapravo obogacuju nas jezik.

Slažem se, nije to bila поента, nego ponekad nema potrebe kad ima "naših" reči za dati termin, a posebno mi je glupo kada se strani glagol menja "po srpski". Aj' da neko kaže sad ću da izšvajsujem, 'aj neko da iz zajebancije kaže guglao sam na netu nego da neko kaže selektujte tekst koji želite. Uskoro ćemo početi da voršipujemo gada, srčujemo bukove u lajbrariji i da se fakamo sa ful bejbama.

 

Hvala lepo. Dosta mi je ovo sa masterima i bečlerima... Šta ću da budem kada završim fax? Batler? Molim? Neženja? "One of the names given to Satan when he appeared in the guise of a great he-goat for the purpose of sexual intercourse with the witches" Pali brate... Satanistički fax...

(od kad znam za sebe, svi vicu jedni drugima "cao". pravi srBski pozdrav, nema sta

E baš zato ja principijalno kažem ZDRAVO. Ko me zna, potvrdiće.

bilo bi zanimljivo na neko pokusa da napravi "anti-vujaklijin recnik": da izbaci sve turcizme, sve reci engleskog, francuskog, nemackog porekla, pa da vidimo sta bi ostalo. bila bi to jadna i tanka knjiga.

Koliko sam ja ukapirao (možda i grešim) "Vujaklija" je rečnik stranih reči... Pa ako bi se izbacile engleske, francuske, nemačke i turske reči, mislim da ne bi ostalo ništa...

Да, објасните ми од чега ми је Шаркастер. Дакле, agathis је шта, гледајући квалитет дрвета и остало...

Agatis je neko tropsko drvo sa sličnom strukturom i specifičnom težinom kao i mahagonij. Tu mu je valjda negde i zvuk. Nisam imao prilike da čujem (a i takav test mi nešto mnogo ne znači), ali kažu da je sasvim ok, ali ipak ispod bubinge i mahagonija...

 

Evo, da ne ispadne da mu ga dajem po oftopiku, da malo rasplamsam diskusiju:

Kako bi trebalo testirati "zvuk" ovog ili onog drveta:

Komplet hardver (magnete, potenciometre, kobilicu itd.) i CEO VRAT sa sve istim žicama prebaciti na drugo telo istog oblika ali od drugog drveta. Videti na istom сетапу pojačala razlike u zvuku. Verujem da bi ga svi ovi što tupe "Alder je masan", "eš je oštar", "mahagonij ima muda za dž dž" na ovakvom блајнд тесту ispušili samo tako.

 

Zato mi se recimo svideo dankanov sajt, jer su okačili семплове svojih magneta koji su kačeni na isto mesto, na istu gitaru, sa istom elektronikom, isitim pojačalom i istim likom koji plete istu muzičku frazu. Pa ti lepo stekneš sliku o čemu je reč. A ne da probaš kod drugara EMG 85 na ESPu od mahagonija poredeći ga sa SD SH-6 na epifonovom LPu od šperke. Jasno je šta će ti se više svideti... A Prilično neizvesno šta bi dobio kada bi zamenio magnete ovim gitarama, zar ne?

 

EDIT: sad mi je palo na pamet- možda je agatis ono što naši "seljaci" zovu "beli mahagonij"...

Ista fora k'o sa palisanderom...

 

Edited July 15, 2007 by Usher

[Шарки]

'Aјде сад, кажете ми да је Шаркастер добра гитара? (од доброг дрвета)

[Dersu Uzala]

'Aјде сад, кажете ми да је Шаркастер добра гитара? (од доброг дрвета)

 

Ima bre toliko toga na netu.

 

 

Agathis

 

Agathis is a 'poor man's mahogany', related to the pine family of woods and grown in many asian countries. It's cheap, easy to use and gives consistent and stable results, so it is often used in less expensive instruments. The best way to describe the tone is similar to mahogany, but is more bland sounding with a less complex sound.

 

 

Alder

 

Alder is a standard body wood for solid body guitars and and basses, and is one of the most popular because of its light weight, balanced tonal response and good resonance. It is light in weight (a Strat body will weigh approximately 4lbs), and has soft, tight pores similar to basswood, but with a bold harder grain pattern, similar to ash, but less pronounced. The harder grain adds to the stiffness, making it more robust than basswood. The colour is medium light tan with a slight pinkish tint. Overall, it is darker than ash, but the grain lines are less distinct. Alder has a balanced tone, without much accentuation in any area, aside from a slightly pronounced upper midrange - which helps with clarity. It is fairly resonant and complex, with a good dynamic range. While it is known for great Blues and Rock tones, it is very flexible, making for a very adaptable guitar that can fit most musical styles.

 

 

Ash

 

There are two different species of Ash used for guitar building: Northern Hard Ash and Swamp Ash.

 

"Southern Soft" or "Swamp Ash":

Swamp Ash comes from swamps in the Southern USA. While the tree grows, large parts are submerged underwater for years, resulting in a porous lightweight wood. Many of the Fender guitars from the 1950's were made of Swamp Ash. Swamp Ash has an open pore structure with hard grain lines between softer layers. It is a fairly light weight wood (which helps distinguish it from Hard Ash), with a Strat body normally weighing under 5 lbs. The grain is open and is creamy light tan in color with bold, darker grain patterns. It is a very musical wood offering a very nice balance of brightness and warmth with a lot of dynamic range. It has clear, bell-like highs, slightly scooped but very complex mids, and strong tight lows. The mid frequencies vary quite a lot from piece to piece, which will vary the sound per guitar more than most woods. It has a very quick attack when striking the strings and is very dynamic. It is very resonant across the whole frequency spectrum, so it very detailed and complex when played clean to slightly driven.

 

Northern Hard Ash: Northern hard ash (also sometimes called "bassball bat" ash) is similar to swamp ash, but is relatively hard, heavy and dense, with a Strat body normally weighing 5 lbs or more. The density makes it brighter sounding, and gives it a longer sustain.

 

 

Australian blackwood (or black acacia)

 

Australian blackwood is the Australian cousin of the Hawaiian wood koa, and is identical in every respect. Tonally similar to mahogany. (See Koa)

 

 

Basswood

 

Basswood is a very lightweight, closed-grain wood with a consistent and tight grain pattern. The colour is whitish through yellow to tan, but sometimes has unattractive green mineral streaks. Better quality examples will be darker tan and consistent in colour throughout, but it is not a good looking wood for clear finishes. Basswood is a very soft wood which dents easily - this need not be a problem as harder finishes such as polyester are usually used to counter this. However, due to the softness, screw holes have a tendency to strip if overtightened. There also needs to be a reasonable amount of wood in front of the anchors of a two-stud tremolo system to prevent the wood from cracking and/or the studs from leaning forwards with extreme tremolo use. On the upside, the softness means it’s easy on tools and easy to cut, sand and finish. The softness of the Basswood attenuates both the high and extreme low frequencies. This gives it a pronounced midrange fundamental frequency response. Unlike Ash and alder, the tonal response is not particularly complex and the dynamic range is relatively limited. The reduced and smoother high end response helps offset the treble accentuation of floating tremolos and locking nuts. All together, this gives it an "up-front" tone, suitable for Metal and Rock music styles as well as for distorted lead tones, while clean sounds tend to be more sterile, somewhat lacking in character.

 

 

Bubinga

 

A very heavy, strong, stiff wood used primarily as an electric bass body and neck wood. For electric guitars, it is best suited for laminate tops because of the weight. It has a nice reddish brown color and sometimes has a 'bees-wing' figure, which gives it a nice 3D shimmer.

 

 

Cocobolo

 

Cocobolo is a rosewood species which is grown in Mexico. Among the heaviest of the rosewoods, it has similar sonic characteristics and a particularly striking grain. Unfortunately it is not often used, as the dust from cutting and sanding this wood causes allergic reactions and it can be very difficult to glue.

 

 

Koa

 

Koa is an exotic medium to heavy weight wood grown exclusively in the Hawaiian Islands. It is the traditional wood for ukeleles and high-end acoustic guitar back and sides. It is a sigularly beautiful wood with a light, honey-brown color. Figured koa has more 3D 'depth' than any other wood. It is becoming increasingly difficult to find good quality and is fast becoming one of the most expensive tonewoods - with prices often on a par with Brazilian rosewood. Koa has warmth and sustain similar to Mahogany, but is denser, so is a bit brighter with less low end. Like rosewood, it’s an oilier wood, and this dampens the high frequencies a bit, but less so than rosewood. Overall, the sound is pronounced in the midrange, treble response is smooth and compressed and the low end is clear but reduced. This produces a strong fundamental tone which is less dynamic and more compressed than most, but a good sweet sound - especially when played hard. It is a popular wood for electric guitars with 'hollow body' resonant chambers as this type of construction adds some low end, increases both resonance and dynamics as well as reducing the body's weight.

 

 

Korina (Limba)

 

The grain pattern and tone is similar to Mahogany, although it is not quite as dense. It was the original wood used for many classic Gibson guitars such as the original Explorer and Flying V. It has all the good tonal properties of mahogany, but is more responsive with a sweeter sounding midrange. There are two variants of Korina, white and black. Black Korina is a medium weight wood, which is olive in color with black streaking. White Korina is a medium to heavy weight wood. The colour a light yellow/green.

 

 

Lacewood

 

Lacewood is a medium weight wood from Australia. A true multi-density wood, it has a 'snakeskin' like look, with a hard dark reddish-brown grain surrounding softer, lighter coloured wood. Like maple, it is often used as a laminate top over softer woods, for it's striking appearance. The tone is similar to Alder, but brighter overall. The low frequencies are tight, with some complexity in the midrange and a bright high frequency response.

 

 

Mahogany

 

Mahogany has a fine, open grain with large pores, similar to ash, but with a more even grain pattern and density. It is denser and heavier than Alder (a Strat body will usually weigh over 5lbs), but lighter than Maple. The colour is reddish brown, better examples often have a golden 'sparkle' under a clear finish. The low frequencies are good, the midrange is compressed with prominent low mids and less upper midrange and smooth sounding highs. Overall, the tone is warm, full and thick with a slight nasal quality. Dynamically, it is punchy and has excellent sustain. In a solid body, it is well suited for punchy rock music, in a hollowbody it has all the warmth needed for jazz. It is often mated with a maple top or neck to add some high end and some articulation. Of particular note is that good mahogany often ages really well, becoming better sounding every year. It is also an extremely stable wood (particularly the now rare Honduran mahogany), with less chance of warping over time than most other species.

 

 

Maple

 

There are two types of Maple: Eastern Hard Maple (hard rock maple) and Western Soft Maple (big leaf maple). The colour is white with tight pores and thin grain lines. Soft maple often has intense figuring. Maple is well known for imparting bright tone to an instrument, with excellent separation (which allows each note of a chord to sound distinct, without blurring together).

 

Hard Maple (Eastern, hard rock or sugar maple): Hard Maple is a very hard, heavy and dense wood which is more often used for necks than bodies due to the weight. It is a brighter sounding wood, with very strong highs and upper midrange. While the bass frequencies are quieter, they are very articulate and with the right pickups and amp settings can be wonderful. Overall, maple has a very long sustain. It is a particular sound which is well suited to certain styles of hard rock and heavy metal or for a very articulate bass.

 

Soft Maple: It is usually much lighter weight than Hard Maple but it features the same white color. It has bright tone with good bite and attack, but is not as brittle as hard maple or other harder woods can be, and produces singing highs with a tight low end.

 

 

See Images Below Figured maple Maple with figuring is preferred over plain maple, but the figure has no real bearing on the sound of the wood. The figure is, however, strikingly beautiful. Most common are curly maple (A.K.A. flame, fiddleback or tiger maple), quilted maple (with a billowy, bubbly appearance) and birdseye maple ("the one with the spots" as a wood "specialist" once told me!). Less common are burly maple, spalted maple and wild maple.

 

Flame Maple

 

Flame, curly, fiddleback or tiger maple all generally refer to stripes. Flame can be tight, wide, straight or crooked.

 

Quilted Maple

 

Quilted maple is distinguished by its billowing "cloud" or "bubbly" appearance. This figure can vary from large, wide billows to tight small blisters.

 

Birdseye Maple

 

This figure is only found in the eastern hard maple trees. Birdseye does not usually run deep in the boards, so solid bodies are not available. As a bookmatched top it can be quite striking.

 

Spalted Maple

 

This wood is actually the product of a dead or decaying tree which hasbeen attacked by fungi. This wood is soft and is only used as a laminate top on flat top bodies, usually with binding. Each piece is quite unique in look and it can look wonderful with a tobacco burst finish.

 

Burl Maple

 

This is a very busy looking wood usually with a lot of porosity and bark inclusions which looks best finished in a natural clear gloss.

 

Wild maple

 

Wild maple can be stunning, consisting of irregular figuring which is never the same from piece to piece.

No Image Nato Nato is a South American hard wood, similar to mahogany and was used as a cheap mahogany substitute for entry level instruments until agathis gained in popularity. Not really a great tonewood and is really only a step up from cheap ply or composite wood.

 

Padouk

 

Brilliant purple-red or orange color which oxidizes to a warm brown over time. The grain is open, similar to rosewood. It has a waxy feeling and feels good to play on. Tonally it is bright, having a similar tone to maple. While it is sometimes used for complete bodies, it is more likely to be found as laminate strips.

 

 

Poplar Poplar is another common body wood which has been used by many manufacturers in the past, including Fender. It is a closed grain wood with a a greyish-green colour. It is very similar to alder in weight and tone, but is not as popular due to the colour. Overall, a good choice for a inexpensive guitar which needs to cover a range of playing styles.

 

 

Redwood

 

Redwood is a hard, dense pinkish wood which is sometimes used for laminated tops. It has a tone similar to maple, but slightly warmer and more resonant. It sometimes shows dramatic figuring.

 

 

Rosewood

 

Although it is more often used as a fingerboard wood, rosewood is sometimes used for electric guitar bodies. It is the heaviest tonewood, and a rosewood Strat body will always weigh in at 6lbs or more. It is a beautiful, dark brown wood, often with reddish, purple or orange streaks running through it. It is an extremely dense, stable wood. It is and resonant across the entire frequency range, but has a high oil content, which serves to dampen the high frequencies, making it one of the warmest sounding woods available. Guitars made of rosewood often have a pronounced and dark reverb-like resonance.

 

 

Sen

 

Sen is sometimes called sen ash, but is not related to ash at all, but is rather a member of the ivy family. It is an Asian wood which looks a lot like ash, but is tonally similar to poplar and is often used for inexpensive Fender style bodies.

 

 

Spruce Spruce is best known as the main acoustic guitar top wood. It is a very soft and lightweight wood, but is extremely stiff for its density. Like ash, it's a multi-density wood, with a hard grain and soft wood in between. The colour is creamy white. It has a broad frequency response even wider than alder - possibly the widest of any electric guitar tonewood - with a very strong midrange resonance. The softness of spruce means that it must be covered with an extremely hard finish to protect the wood from damage. It is sometimes as a laminate to give life to tonewoods with a more compressed sound.

 

 

Walnut

 

Walnut is a dense medium hard wood which has a strong grain pattern similar to ash, but it has a constant density more like mahogany. It is harder, heavier and more dense than Mahogany, closer to maple. Tonally, it is warm with solid, snappy low end, the midrange is a lot more complex than mahogany (more like alder) and the top end is quite bright, but very smooth. It is a heavier wood which weighs approximately 5.5lbs or more as a Strat body. Walnut often has quite dramatic figuring.

 

 

Wenge

 

Wenge is an african hardwood which features black and chocolate brown stripes, similar in appearance and tone to Zebrawood, but much darker in colour.

 

 

Zebrawood

 

This is another heavy weight wood with very open grain. It has a distinctive look with light and dark brown stripes. Due to the weight, it is more commonly used as a laminate top than as a complete body. Its weight and sound are similar to hard maple.

 

Ziricote

 

Ziricote is grayish brown in color and features intense spider-web and 3D figuring. It is a high density oily wood, which makes it sound and feel similar to rosewood. It is also a heavy weight wood, so is more often used for laminated tops, rarely for complete bodies.

 

Tol'ko na tu vec stoputa prezvakanu temu. Kako rekoh, milion linkova na netu. Samo ukucas 'tonewoods' ili sto bi nas narod preveo u slobodnom smislu 'drva koja se koriste za izradu muzickih instrumenata ciji je zadatak da zvuche' (tone wood, jel'da).

[Jimmi]

Cek to je sa onog linka sto si postovao malo ranije? Odlican link!

Edited July 15, 2007 by Jimmi

[Usher]

Ima bre toliko toga na netu.

E, videh ovaj link i ranije...

Totalno dobra stvar, naročito što ima slike, i to komada istog oblika!

To me je oduševilo, jer pola toga nikad u životu video nisam...

Istripovane šare imaju ona tropska sranja, ono k'o da nije od ovozemaljske biljke...

 

[Dersu Uzala]

Ranije sam postovao onaj Warmoth link koliko se secam. Ti tipovi prave sve kastm, onda sastavis tako djitru sam. Ili ti oni i sastave. To je bilo dšit pre dvaes' godina.

[Tomislav Sawyer]

Ljudi, google ne boli