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Posted (edited)

edit (upao mi BR u post):

seronjo debeli, nikada neću postati "do jaja".

ja sam ovde da serem i pravim se pametan, ti si ovde da bio do jaja. laugh.gif

 

@elipsoid:

sumnjam al ajde da ti verujem mhihi.gif

 

uzmi ti novi a-ha

 

da vidiš šta rade matorci

ozbiljno!

Edited by KRANG
Posted

ispod mog prozora, na travnjaku, leži mrtva mačka već nedelju dana.

gledam je kako prolazi kroz razne stadijume raspadanja.. a komšije boli kurac. svi gledaju na drugu stranu.

nikom se ne prljaju ruke.

 

ako hoćete, mogu da je slikam svaki dan pa da kačim ovde?

 

kakav je taj kill the client?

skinuo sam to sa kerrazyja pre par dana, ali nisam slušao..

Posted

mr. BIST!

 

slike stižu.. btw, malo su mračne (nemam blic), ali pozitivno je to što sam na kamkorderu našao i još neke zanimljive fotke (za koje sam skroz zaboravio). znam da će pera biti srećan kad ih vidi..

Posted

@elipsoid:

sumnjam al ajde da ti verujem mhihi.gif

 

uzmi ti novi a-ha

 

da vidiš šta rade matorci

ozbiljno!

A jbg tebi se ne svidja ni najnovija SOAD seansa...Meni je novi Strokes skroz dobar, bash prijatan, ubace onako melidcnu solazicu bude ti fino oko srca...Skroz dobar album...

Posted
KRANG, pitao si kakav je novi Strokes...Fenomenalan je...Dva dana vech slusham.Sazrijevaju samo tako, kao voche u herceg novom...

IMO strokes sa sazrevanjem mogu samo da jos vise utonu u prosek.

 

 

prvi album je bio bas iskusan i samo naizgled sirov.

 

 

iskreno, ja ne vidim da oni mogu da budu dobri ubuduce (to vazi i za nov album, a bome i prosli)

Posted

e, kao što sam obećao.. ono što ste sa nestrpljenjem čekali.

imaćete priliku da vidite mrtvu mačku ispred mog prozora.

malo je potrajalo jer me zajebava fotobaket

 

ali:

 

1. fotka.

mačka iz daljine. bez zuma, sa mog prozora (3. sprat).

user posted image

 

2. fotka.

sada je zumirana i to 10x. prava je šteta što je mrak pa se ne može videti stadijum raspadanja. ali sutra vam obećevam novu fotku, i to za dana..

user posted image

 

--

digresija:

 

evo i 2 fotke sa jednog od boljih koncerata na kojima sam ikada bio.

 

wovenhand na szigetu.

 

user posted image

 

user posted image

 

ove 2 su mi sipmatične..

eto..

Posted

a evo necheg za lazu:

 

Bowery Ballroom is a New York City venue with a spacious floor area but an intimate enough stage size and thankful lack of a barrier. When the Dillinger Escape Plan headlines, you can only hope to be blessed with this type of setting.

 

The Flashbulb opened things up. It consisted of one sole man, his laptop, and guitar. As you might expect, what he played was an unpredictable array of electronica, a sort of fast-paced trip-hop style that found him occasionally riffing along with the beats. It was mildly interesting, but I almost nodded off standing up near the end of the fourth song. An abrupt Metallica sample drew some applause, as did the guy's obvious focus to his craft, but I wasn't having much of it myself. Boy would the Bronx have made this show...

 

HORSE the fucking Band was next, and what immediately drew my attention was keyboardist Erik Engstrom; in case you happen to be unaware, the guy is a dead ringer for Napoleon Dynamite sans glasses. He has, however, the hair and all to the point of incredulity. Luckily I was finally past it when the rest of the band took to the stage and busted into the first single off their recent The Mechanical Hand, "Birdo." Front-man Nathan Winneke had a sloppy, grungy stage presence that complemented the band perfectly; he looked like a displaced Guitar Center employee, but it worked somehow. "A Rusty Glove" founds its way into the set as well as a few others from Hand as well as a few unrecognizable cuts from R. Borlax. The band was pretty hilarious with the between-song banter, even if they were usually resorting to clever intepretations of the "where's your band?" response to deflect a consistent smattering of "boos." Engstrom's answer to "You look like Napoleon Dynamite's body double!" was a less thought out, stuttered "Don't be jealous because you didn't star in the most popular movie of the last 5 years...and play keyboards in a band." Where the band's best strengths where were in their energy; rarely do you see a live band with massive amounts of activity from every single band member. It was refreshing to see each and every one give it their all. Definitely an enjoyable performance.

 

A band who I'd heard plenty about but little of came on soon after, the immensely talented Between the Buried and Me. The metalcore (roughly) act has a few releases under their belts yet still look noticeably young, and was definitely one that turned out to fit in rather well on the bill; they're obviously operating under influence from the headliners, but add their unique flair of jazz touches, sporadic keyboard moments and clean singing. This is a band fully intent on putting their effort into creating creatively heavy music rather than an image, as for the most part, the nearly piercing and tattoo-less band members stood in place to make sure every chord was right on and that every song translated to the live setting affluently and flawlessly. That lack of moving around was made up by the aforementioned spot-on performance. Lead singer and occasional keyboardist Tommy Rodgers' hand motions were usually a bit grandiose, but his powerful and diverse range served the set well, and he made sure to give plenty of crowd participation in the vocal area. One solo from the left-stage guitarist was particularly impressive.

 

The moment everyone had been waiting for soon arrived. Projected onto a screen prior to the Dillinger Escape Plan taking the stage was a short clip from an old silent movie, which seemed to give instructions to a young woman on how to fall asleep. When it appeared the woman was asleep, the text read "Good. Now I am going to open your eyelids." Hands appeared, and did such, gently. "Are you asleep? Good," the screen read, and it quickly counted down to "one," as the text showed, and DEP walked out onto the stage. I was expecting an immediate transition from the end of the projection footage to a song to break the silence, but it was not in the cards. A transition less sloppy and more akin to the one I'd hoped for would've created quite the volatile start, but after ringing their guitars for several seconds, the band launched into "Panasonic Youth" and barely stopped from there. With the end of the long tour looming, the band usually seemed a step off with a noticeably more dissonant sound almost all throughout, and yet, they were still incredible. Though the dissonance created a unique separation from the record, every performer took to his instrument like a body part. The light show was most effective for the opener and used sparsely afterwards, but during "Panasonic Youth" it helped kick things off well. Greg Puciato moved about the stage plenty, but was outshone a bit by the spastic, impulsive movements from one of the guitarists. At least, until, during the breakdown of one song, Puciato picked up the cymbal stand, brought it the front and smashed it with a drumstick, turned around and proceeded to slam it to the stage. He charged towards the front of the stage with a manic, hazy look in his eye only to turn around and throw it to the projector screen. I honestly couldn't tell where it would end up. While some projecting problems made the set a bit laughable (see: Windows desktop icons floating above the drummer's head, cursors unintentionally on Puciato's nose), the static lines and odd, greyscale cloudy skies during slower parts of songs gave the set an eerie aura. "Sugar Coated Sour" (towards the end), "43% Burnt," The Mullet Burden," "Sunshine the Werewolf," "We Are the Storm," "Setting Fire to Sleeping Giants," and "Baby's First Coffin" all definitely found their way into the set list, definitely among a few others I'm sure to be missing. "Unretrofied," interestingly, was not played, nor was an encore. While the screen flashing the Dillinger Escape Plan logo during the last song was a bit cheesy, and the second-long flash of a red font stating "Buy merch" at its endpoint was amusing at best, it couldn't help detract from the powerful finish to an intense set and its final few anguished, manic screams and ruptured chords.

 

The Dillinger Escape Plan is an act not to miss, even when they're weathered from weeks on the road. Hopefully you caught this on one of its legs and somehow managed to get out with both of yours intact.

 

Posted

nastaviću da vas obaveštavam o mački...

 

slika od juče:

user posted image

 

večeras (upravo uslikana):

 

user posted image

 

kao što sam rekao, promene su neznatne.

hladno vreme je mumificiralo.

 

noćas sam sanjao kako je ustala i došla mi pored kreveta.

 

---

 

btw, ko voli:

belle & sebastian - the life pursuit 2006 advance

 

onda:

Mountains - Mountains (2005, Apestaartje, 192k MP3)

genijalan drone. možda i najbolji koji sam čuo ove godine..

 

i naravno

 

biolich - the space between home and today(2005)

uh.. jezivo.

Posted

ljudi

 

Terror 2000 - Terror For Sale

 

koja zabava, jebote, usrao sam se od srece... Speed nikad buchniji i nikad zanimljiviji...

neverovatan album...

oduzela mi se noga od slushanja... i obe ruke (od drkanja... tastature)...

 

Liquer Saved Me From Sports > *disco hit* ultramegalomanskih razmera, ujedno i lagano izvitoperena himna moje mladosti koja ode niz Lepenicu pre, recimo, 57 dana...

Posted
Hej Krang, jel' si ti siguran da su ono slike wovena? ja koliko sam slusao ne nadjoh ni jedan momenat u pesmama koji bi podstakao onakvo iskakanje zila po vratu

icon_smile.gif

ha.

naravno..

ma koncert je bio neverovatan.. što je najsmešnije, ja ni bih ni otišao da me pera (OOT) nije naterao, jer ih tada nisam ni slušao..

i te žile.. nije to ništa.. u jednom momentu je david počeo da se udara otvorenom šakom po glavi dok je pevao haha.. stvarno je atmosfera bila skroz električna.. nikad nisam video da neko prenosi toliku energiju na publiku.

mogu da zamislim kako je tek bilo ljudima koji su znali textove.

imaš li 16 horsepower .. posebno album folklore (2002)? to je isto on, i isto je mnogo dobro.

 

--

@oot:

meni se terror 2000 ne sviđa ni malo..

jesi slušao gojira - from mars to sirius?

kako ti se to čini?

 

--

i za kraj:

 

user posted image

Posted
@oot:

meni se terror 2000 ne sviđa ni malo..

jesi slušao gojira - from mars to sirius?

kako ti se to čini?

brate mili Terror ti se ne svidja ni MALO?

e u qrac... s tobom u zajebanciju ne vredi ici onda... Terror 2000 je muzichka verzija moga odushevljenja...

 

King Kong Song! orangelistening.gif

 

Gojira, ova nova, nije losha ni malo...

imam i onaj proshli na promosu i jasno je da su napredovali kao jebeno brzi planinari po ravnom...

Posted (edited)

pa, ovaj, nije...

meni se Gojira svidja, a tebi Terror 2000 ni malo...

 

G:\Terror 2000 - Terror For Sale\13_dishwasher_demon.mp3 orangelistening.gif

 

edit: a Chain Collerctor je, uz neverovatno poshtovanje prema ekipi (pogotovo Kobru), dosaadan...

Edited by Out Of Time
Posted

heh.. juče sam imao priliku da čujem novi rosetta album na vrhunskom ozvučenju (iako je mp3).

3 vokala idu simltano..(!!!) jedan sa desnog kanala, drugi sa levog i oba su veoma tiha i skroz zakopana u mixu.

i naravno teći je onaj glavni sa oba kanala, koji svi čuju haha

 

mnogo novih stvari se primeti kad se sluša sa odidži2 karticom i zvučnicima od 200e

stvarno cenim produkciju sada.

 

a tek oba diska istovremeno..

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