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Prosthetic Records has announced the addition of Montreal, Canada's Beneath The Massacre to the label's roster. According to the label, the group "[combines] a heavy-handed technical death metal prowess, skillful guitar shredding, and a devastating and grinding guttural vocal delivery," Beneath The Massacre will release its Prosthetic debut in the fall of 2006. "We're excited and can't wait to start working with people at Prosthetic Records," the band says. “The new partnership and the release of a new album means a lot to us."

 

The forthcoming record will be the band's full-length debut and the follow-up to 2005's five-track debut EP, Evidence of Inequity. Tracking for the band's new album has already begun with producer Yannick St-Amand (Despised Icon, Ion Dissonance) at Yan's Room Studio, and is set to consist of ten tracks. Mixing will be handled by Pierre Rémillard (Cryptosy) at Wild Studio and mastering will be completed by Alan Douches.

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ima... ovo.

 

complete discog.

Breathing And Dying In This Place
01: Remember
02: Ability
03: Under the sky
04: You have a voice...
05: Passage of wind
06: Still remain
07: End of the line
08: Just alive
09: Reach out

From Here To Eternity
01: Limitation
02: Trembled
03: A vicious circle, again
04: Compensation
05: Off
06: For you who died
07: Crusaders
08: Black past
09: Grey wind
10: Carved numbers

Angel's Curse Whispered In The Edge Of Despair
01: Angel's curse
02: Pendulum
03: Leaden wings
04: Breeze and destiny
05: Unrepairble gentleness

The Eyes Of Single Eared Prophet
01: Echo regenerates
02: The end of memories
03: Awaken eyes
04: Testimony to the existence
05: An encyclopedia of the unification

All The Footprints You've Ever Left And The Fear Expecting Ahead
01: Zero
02: Farwell to words
03: Lies, and release from silence
04: Left hand
05: A cradle of arguments and anxiousness
06: The spiral manupilation
07: A cage it falls into
08: The light of my footprints
09: Your shoes and the world to come

A Dead Sinking Story
01: Chain Wandering Deeply
02: Distress of Ignorance
03  Evidence
04: Color of Fetters
05: Unrepairable Gentleness
06: Go Mad and Mark
07: A Conviction That Speeds
08: Reasons and Oblivion
09: A Will Remains in the Ashes

Compiled Fragments 1997-2003
01: A Far-Off Reason (split with yaphett kotto and this machine kills)
02: An Adventure of Silence and Purpose (split with yaphett kotto and this machine kills)    
03: Invisible Understanding (split with Iscariote)
04: Chacun de Tes Pas (split with Iscariote)
05: A Red Wound Picture (split with This Machine Kills)
06: Cape of Despair (split with Endeavor)
07: This Self-Crusaders (split with Endeavor)
08: Trembled (No fate III compilation)
09: Guilt (split with Sixpence)
10: Castle of Lies (split with Sixpence)
11: Conected Voice (unreleased track)
12: Awaken Eyes (live at the BBC during the All tomorrow Parties in the UK)                  
13: Go Mad and Mark (live at the BBC during the All tomorrow Parties in the UK)

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12: Awaken Eyes (live at the BBC during the All tomorrow Parties in the UK)

13: Go Mad and Mark (live at the BBC during the All tomorrow Parties in the UK)

 

samo mi ove dve fale...

a imam i josh nekoliko izdanja...

12 ukupno...

 

 

e brale i skini mi leba ti

Gantz/Cleaner split

nikako ne mogu da nadjem ceo...

 

GANTZ

01. il fut un temps

02. des millions de façons de vivre...

03. une lueur

 

CLEANER

04. Murasaki

05. Ao

06. Hai

07. Soshite wakakusa no ironi somari

08. Kou no shita de

09. Ki

 

 

ajde leba ti... ova cleaner su jebeno dobri japanci... valjda ih producirali ovi iz envy-ja..

Edited by Out Of Time

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Thom Yorke - Eraser, Radiohead Frontmans Solo Project [8/11/06]

 

Major break-ups, deaths, and Thom Yorke records-- pretty much the only stories Pitchfork News wakes up on a weekend to break. A couple of Saturdays back, we caught wind that Yorke was planning his first-ever foray into, um, solitary territory ("i don't wanna hear that word solo," the man wrote in a W.A.S.T.E. e-mail), on a forthcoming album to be titled The Eraser. And now, we've had the distinct pleasure of hearing the album in its entirety. The Eraser is a sumptuous, Nigel Godrich-produced layer cake of plaintive piano, haunting synth squalls, and chugging guitars built atop skittish programmed beats and devoured by Thom Yorke's anguished ruminations on the pressures and paranoias attendant to fame and expectation. And no, it's not a techno record.

Here's a track-by-track first glimpse at The Eraser:

1. "the eraser": The title track opens with a muffled, repeated piano chord. After a few bars and a chord change, programmed beats settle in, and Thom interrupts, "Please excuse me but I got to ask," scraping the upper register. Soon, a gaggle of disembodied, moaning Thoms joins in for the chorus, which seemingly takes a cue from Morrissey: "The more you try to erase me/ The more that I appear".

2. "analyse": Vocal and rolling piano lines launch this meditation on futility. "The fences that you cannot climb/ The sentences that do not rhyme," Thom laments, sad and clever all at once. And later: "It gets you down/ You're just playing a part," one of many presumed jabs at self-identity. The chord progression somewhat recalls an accelerated "Knives Out", with a hesitant snare plodding along in the background, before Godrich drops in the first of The Eraser's many cinematic synth flourishes.

3. "the clock": A cyclical guitar line lends this track an almost motorik vibe, albeit one evoking a leisurely Sunday drive. Click-clack beats add to the pace before the inevitable opening line: "Time is running out/ For us." By the end, Thom is humming a simple, bluesy melody over the steady but relentless rhythm.

4. "black swan": Opens with an almost hip-hop beat, before a blues-inspired riff more than a little reminiscent of "I Might Be Wrong" drops in and sets the structure. "This is fucked up, fucked up," Yorke declares. Later, more identity crises are averted: "I don't care what the future holds/ 'Cause I'm right here and I'm today/ With your fingers you can touch me."

5. "skip divided": Samples of Thom drawing breaths help form the percussive foundation of this dark stalker-ly declaration. Yorke's at his most conversational here, almost pub-drunk, revealing, "When you walk in a room I follow you 'round/ Like a dog/ I'm a dog, I'm a dog, I'm a dog/ I'm a lapdog/ I'm your lapdog." Creepy.

6. "atoms for peace": Thom returns, all homesick alien, beseeching you: "No more going to the dark side with your flying saucer eyes/ No more falling down a wormhole that I have to pull you out," and striving for some higher octaves during the chorus: "I wanna geeet ouuut/ And make it woooork." Celestial tones underscore a warm, bumbling bassline-- a relatively minimal arrangement compared to the rest of The Eraser. "So many lies/ So feel the love come off of them/ And take me in your arms," he sings. Thom's own "You're Beautiful"?

7. "and it rained all night": And it's back to the Dark Side for The Eraser's chilliest number, a tune awash in eerie synth and driven by a Joy Division-esque bassline. Thom assumes the role of the poet-observer, surrealistically detailing visions of post-downpour New York, clipped vocal samples later piggybacking the bassline. It culminates in a strained, desperate: "I can see you/ But I can never reach you."

8. "harrowdown hill": Don't get thrown off by the practically post-punk opening bass riff; more haunted synth and programmed beats soon drift in and turn things nocturnal once again. "I'm coming home to make it all right/ So dry your eyes," sings Thom-- one of the most conventional, pop-esque vocal melodies on the record. "I can't take the pressure/ No one cares if you live or die/ They just want me gone/ They want me gone." The moment is suspended to make way for some riffing, which closes out the song.

9. "cymbal rush": We're greeted here by what sounds like the Pac-Man death sound effect kicked down an octave; then more funereal, ambient synth, along with pitter-patter programmed percussion not unlike that on "Kid A". "Try to build a wall that is high enough," sings Thom. "It's all boiling over." Finally, the climax: percussion picks up, guitar enters over melancholic piano chords, and more disembodied Thoms float about, moaning-- until all drops out for one final blip-bloop parade, which sputters out to an abrupt finish.

Regarding The Eraser, Yorke also wrote "inevitably it is more beats & electronics. but its [sic] songs," and that pretty much sums it up. The record is song-oriented to a perhaps surprising degree-- no instrumentals, all tracks pretty much in the four-minute range, mostly standard time signatures-- and emphasizes the trademark textural richness of Radiohead and Godrich.

The Eraser lands in stores July 11 in the U.S. (lucky Brits get it a day earlier) via XL Recordings, but for now, those of you who enjoy being puzzled, hop on over to www.theeraser.net for more (totally cryptic) album details.

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evo bombe

 

[ADVANCE] Xiu Xiu - The Air Force [2006/KRS/5 Rue Christine/mp3/192]

 

Xiu Xiu's fifth LP, The Air Force, is possibly their best yet. Combining insane synthesizers and featuring Greg Saunier as the producer, along with Jamie Stewart's incredible falsetto vocals and shocking lyrics, this album will be one to remember.

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aaa

 

gledajte ovo..

 

DUTCH pedophiles were launching a political party to push for a cut in the legal age for sexual relations from 16 to 12 and the legalisation of child pornography and sex with animals.

The Charity, Freedom and Diversity (NVD) party said on its website it would be registered officially on Wednesday, proclaiming: "We are going to shake The Hague awake!"

 

The party said it wanted to cut the legal age for sexual relations to 12 and eventually scrap the limit altogether.

 

"A ban just makes children curious," Ad van den Berg, one of the party's founders, told the Algemeen Dagblad (AD) newspaper.

 

"We want to make pedophilia the subject of discussion," he said.

 

He said it had been a taboo since the 1996 Marc Dutroux child abuse scandal in neighbouring Belgium.

 

"We have been hushed up. The only way is through parliament," Mr van den Berg said.

 

The Netherlands already has liberal policies on soft drugs, prostitution, and gay marriage, but the NVD is unlikely to win much support, the AD quoted experts as saying.

 

"They make out as if they want more rights for children. But their position that children should be allowed sexual contact from age 12 is of course just in their own interest," anti-pedophile campaigner Ireen van Engelen told the daily.

 

The party said private possession of child pornography should be allowed although it favours banning the trade of such materials.

 

The broadcast of pornography should be allowed on daytime television, with only violent pornography limited to the late evening, according to the party.

 

Toddlers should be given sex education and youths aged 16 and up should be allowed to appear in pornographic films and prostitute themselves.

 

Sex with animals should be allowed although abuse of animals should remain illegal, the NVD said.

 

The party also said everybody should be allowed to go naked in public.

 

The party's programme also includes ideas for other areas of public policy including legalising all soft and hard drugs and free train travel for all.

-------------

 

dakle, moći će džabe da se voze vozovima goli i drogirani u društvu 12ogodišnjaka.. ko ne želi tako nešto?

@azal: skini mi jebeni ban.

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