VoivodBG Posted May 16, 2016 Report Posted May 16, 2016 http://youtu.be/AaMgFIQSt2w hajdemo sada malo u retro vode, za fanove Goblina, Carpentera režisera i ljubiteljima klasičnih giallo horora. Čak se može i rasplesati uz pojedine numere. http://uploaded.net/file/tnnvq63k/Sadist2015.rar Quote
VoivodBG Posted May 26, 2016 Report Posted May 26, 2016 Novo otkriće, zaboravite na MC Ride i Gripse. Quote
VoivodBG Posted May 27, 2016 Report Posted May 27, 2016 domaća loša radinost, da li je toliko loše da je slušljivo ili pak suprotno? Quote
VoivodBG Posted July 3, 2016 Report Posted July 3, 2016 Four primary factors distinguish Adrian Sherwood‘s earlier productions and remixes, anthologized onSherwood at the Controls, Volume 1: 1979-1984, from the later work gathered here. The September 1983 murder of close friend Prince Far I temporarily pushed Sherwood away from reggae. Shortly after that, while in the U.S. on business, he bonded with Keith LeBlanc, Skip McDonald, and Doug Wimbish, progressive session pros who had played together on “Rapper’s Delight” and “The Message,” among other cuts. Sherwood’s work with that trio, scattered across dozens of 12″ and full-length releases during the latter half of the ’80s, is summarized with a front-loaded batch on this second volume. Whether backing the Pop Group’s Mark Stewart or operating as Tackhead or Fats Comet, the quartet made a futurist fusion racket like no one else. In the mix was chest-quaking percussion, basslines that struck blows as much as they held grooves, chopped-up samples, and an array of effects that took dub farther out. During the same period, Sherwood continued to work with punk and alternative acts, such as Flux and Ministry, who succeeded in sounding nervier, more abrasive. The supreme pairing was with the Beatnigs, whose “Television,” a purposefully disorienting whirl of alarmist agitprop, was recast by Sherwood with battering drums and frontman Michael Franti’s clipped interjections scudding between the left and right channels. As Sherwood recounts in the liner notes, he gravitated back to reggae when BBC presenter Steve Barker proposed a Lee “Scratch” Perry/Dub Syndicate collaboration that resulted in the 1987 album Time Boom X De Devil Dead, though recordings here from Dub Syndicate and Bim Sherman date from 1985 and 1986. It’s mildly frustrating that these last slots go to decent previously unreleased tracks when prime and representative material was left off or, in the case of Nine Inch Nails’ “Down in It,” impossible to license. Still, this is almost as crucial as the preceding volume and Science Fiction Dancehall Classics, the Sherwood/On-U Sound-centric package compiled by Trevor Jackson. http://rapidgator.net/file/a3e40f98a77c50dd2c316a26cef04dca/1985-1990.rar.html 1 Quote
Milos Pink Floyd Posted July 5, 2016 Report Posted July 5, 2016 bas slusam elektroniku u zadnje vreme, u smislu synth pop, electro dance, al moze da upadne i nesto tvrdokrnije (neko je postavio kavinskog, odlican je) novi album od pet shop boysa je top: onda beloved (Conscience): onda ovo je predobar album od Planet Funka, zero no sumness: PS posle toliko godina nisam jos naucio kako se ubacuje video u postu na ovom forumu Quote
Kumodraski Vo Posted July 7, 2016 Report Posted July 7, 2016 Ovaj album nije los: http://youtu.be/5ka7r9CwXek ovo je do jaja 1 Quote
miter Posted September 10, 2016 Report Posted September 10, 2016 Što se elektronike tiče izabrao sam ovo http://www.youtube.com/watch?v=hBQ9somvL9I Quote
Јарослав Posted October 5, 2016 Report Posted October 5, 2016 (edited) Ott je fantastičan http://www.youtube.com/watch?v=72Jza9_eHjo http://www.youtube.com/watch?v=gplew0rhXo8 Edited October 5, 2016 by Јарослав Quote
Havočka Posted October 5, 2016 Report Posted October 5, 2016 Obrnuo se juce Fever Daydream, meeeh. Divna, predivna produkcija, lepo slozeni vokali. Ono sto mi se ekstremno ne dopada je to sto cujem sve vreme cudnu mesavinu Korna i Depeche Mode-a , kao i skakanje iz devedesetih u osamdesete i nazad, iz pesme u pesmu. Nisam cula nista novo, album je 5/10 samo zbog tehnicke ispravnosti. Poslednja stvar, though, je toliko dobra da dobija 11, poslednjih 7 i po sekundi su toliko dobar kraj albuma da dobijaju 12, te dizem ceo album na 6/10 http://www.youtube.com/watch?v=FvwW8sq_1uI 1 Quote
STARSHOOTER_SUPREME Posted October 5, 2016 Report Posted October 5, 2016 Ott je fantastičan http://www.youtube.com/watch?v=72Jza9_eHjo http://www.youtube.com/watch?v=gplew0rhXo8 Gledah ga 5 put u zadnje 2 godine bucko ludacic Quote
bradilko Posted October 6, 2016 Report Posted October 6, 2016 Obrnuo se juce Fever Daydream, meeeh. Divna, predivna produkcija, lepo slozeni vokali. Ono sto mi se ekstremno ne dopada je to sto cujem sve vreme cudnu mesavinu Korna i Depeche Mode-a , kao i skakanje iz devedesetih u osamdesete i nazad, iz pesme u pesmu. Nisam cula nista novo, album je 5/10 samo zbog tehnicke ispravnosti. Poslednja stvar, though, je toliko dobra da dobija 11, poslednjih 7 i po sekundi su toliko dobar kraj albuma da dobijaju 12, te dizem ceo album na 6/10 http://www.youtube.com/watch?v=FvwW8sq_1uI top3 album 2016. Quote
STARSHOOTER_SUPREME Posted October 6, 2016 Report Posted October 6, 2016 gde? Ozora ,gledo i kao ott i all seeing eye i sa novelty engine i ott dub i sa hallucinogenom in dub ,bash covek muzicar raspic ,poslushaj i hallucinogen ott remix :*** Quote
Јарослав Posted October 6, 2016 Report Posted October 6, 2016 na kraju ću da se pokupim i odem jednom na tu Ozoru svaki put čujem nešto što me oduševi u vezi sa festom Quote
Demon Seed Posted October 12, 2016 Author Report Posted October 12, 2016 Valja otići tamo... http://www.youtube.com/watch?v=jeEU3cWwVRw ovo kida, i video i audio! xD Quote
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