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King Crimson


Formentera

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HAHAH video sam to, uplasio me i odlucio da uzmem one od 80 eura :)

 

Meni stvarno nikad nejasnija kupovina karata. Imaš ložu koja ima 4 mesta, dva mesta koštaju 115e, jedno mesto 60e i četvrto 45e. Jel ovo drugo leži na podu, nije mi jasno kako se tu pravi razlika za jedno mesto pored drugog.

 

Anyway, mi uzeli karte dole, fuck it. Plus i Rim par dana pre, prog odmor u Italiji.

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Upravo se vratio sa koncerta u Rimu.

Ljudi pokidali, mada mi se koncert sa prošle turneje više svideo.

Bubnjari kao i prošlog puta ukrali šou (čini mi se da je Gevin dobio malo više prostora), Frip nenametljiv, gitara tisa nego sto sam očekivao, Italijani podivljali (sto nisam očekivao).

Edited by 23/16
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baš sam video malopre na fbu onaj Tonijev tour diary i sliku objekta, ono u Esenu gde sam ja bio deluje kao dom kulture u Gadžinom Hanu u poređenju sa Venecijom

 

inače bio sam baš iza mix pulta, malo levo (pa mi nije smetalo da vidim sve), u jednom momentu im je zabagovao kompjuter i prekinuo snimanje, mislim da su One More Red Nightmare svirali, tonac nije registrovao ekran jedno dva minuta, morao sam da ga iscimam da reši problem :D

eto i njima se dešava

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Ja sam overio u Rimu drugo veče i prvo veče u Veneciji (između bio samo onaj koncert u Lucci), i dosta sam jebeno zadovoljan kako sam prošao sa listama :D Fazon Rim u odnosu na Beč bar trećina liste novo. Rim je bio baš raspič poseban zbog te liste meni, prvi deo seta opalili tri stvari sa Reda zaredom i onda Islands, žena i ja pali na dupe (uprkos sedenju). Plus KC na otvorenom, kontam isto nije česta situacija. Baš dobra letnja scena, zvuk iznenađujuće dobar bio. Gitare sam lepše čuo u Rimu nego u Veneciji npr. Plus u Rimu blizu venue-a ima neki parkovi ogromni, svaki put kada ide neki lagani solo ili sekcija čuješ one jebene zrikavce kao background landscape :haha: ali dalo baš posebu čar.

Jedini mini-bedak meni što su u Rimu morali da jure da završe do 23:45, pa su ga kao malo skratili (npr. 21st Schizodi bez onog Harrison Beast Mode:On soloa), ali čak i sa tim ništa jebeno ne bih menjao.

 

Venecija sam iskreno bio pod utiskom samo od kad sam ušao u ono barokni kitsch overload, nisam mogao da se nagledam svega. Mislim da mi ovo jedina prilika bila u životu da uđem na ovakvo mesto, a da nije neki guided tour turistički ili sl. Srećom kad sedneš i gledaš u stejdž i bend ne vidiš kičerajkicu pa može lepo na svirku da se koncentrišeš :D Iako mi Rim lista bolje izbalansirana bila, nekako su bili raspoloženiji ovde, posebno Mastelotto - ona Indiscipline igra bila opuštenija ovde i mnoogo više zebancije.

Inače uspeli smo da nađemo apartman odmah iza čoška od Fenice-a, tako da smo obe večeri blejali sa pivom ispred Opere i ispraćali membere kako izlaze - i od svih, jedina osoba koja nas je iole konstatovala je Mastelotova žena, još se nasmejala i mahnula nam :haha: Ostali samo koferi i polu-trk. U stvari, Frippa nismo uspeli nijedno veče da vidimo, koji ili bleiji do vrlo kasno ili se isključivo vozi gondolom, nema treće.

 

Sve u svemu, za bend koji ima skoro pola milenijuma na sceni, prezadovoljan sam, apsolutno. Magične večeri.

 

Sledeće godine 50th anniversary tour, jedva čekam.

 

p.s. Levin slike Venecija

https://tonylevin.com/road-diaries/king-crimson-2018-uncertain-times-tour-part-1/venice-show1

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Ima odgovor ovde :D

https://tonylevin.com/road-diaries/king-crimson-2018-uncertain-times-tour-part-1/venice-show2

and, something unique to this show; peeking out a window at the back of the venue, this isn’t some old Venetian painting, it’s one of the boats waiting to shuttle our equipment to a larger boat, then to the trucks waiting far across the canal system.

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Quote

King Crimson 2019 Tour Dates:
06/10 – Leipzig, DE @ Haus Auensee
06/12 – Frankfurt, DE @ Jahrhunderthalle
06/13 – Frankfurt, DE @ Jahrhunderthalle
06/15 – Stuttgart, DE @ Liederhalle
06/16 – Stuttgart, DE @ Liederhalle
06/18 – London, UK @ Royal Albert Hall
06/19 – London, UK @ Royal Albert Hall
06/20 – London, UK @ Royal Albert Hall
06/29 – Berlin, DE @ Zitadelle
07/04 – Basel, CH @ Romisches Theater Augusta Ruarica
07/08 – Verona, IT @ Arena Di Verona
07/10 – Torino, IT @ Stupinigi Sonic Park
07/18 – Perugia, IT @ Arena Santa Giuliana

 

It certainly seems like 2019 will be the year of King Crimson. In celebration of the prog-rock outfit’s 50th anniversary, the band will embark on a 50-date international tour that will coincide with reissues of their back catalog, a new documentary, commemorative merchandise, and even a new edition of Sid Smith’s out-of-print biography of the band.

February will see the release of a 6-LP vinyl box set, King Crimson: 1972-1974, which collects new vinyl reissues of Larks’ Tongues in Aspic, Red, and Starless and Bible Black, among others. Then in May, they’ll unveil Heaven and Earth, a multi-disc CD/DVD/Blu-ray set covering the band’s period from the late 1990s to 2008 — completing the availability of all of King Crimson’s albums in 5.1 multi-channel audio.

 
 

Come October, the band will release a limited edition expanded box set of its breakthrough, 1969’s In the Court of the Crimson King. That collection will include an expanded multi-tracked version of the 1969 recording sessions, as well as new live recordings, a 5.1 remix of the album, and a vinyl-sized coffee table book packed with essays and photos. 1982’s Beat and 1984’s Three of a Perfect Pair will also see vinyl reissues at some point in the year.

(Read: A Running List of Rock ‘n’ Roll Hall of Fame Omissions)

king crimson heaven earth
King Crimson - 1972-1974

A documentary, Cosmic F*Kc, will also arrive this year. Directed by Toby Amies, who received “unique access to the current band,” the film will feature interviews with past members and archive footage. An accompanying soundtrack will arrive with the documentary.

The final three editions of King Crimson’s “Collectors’ Club” will also be released this year. The first will be a recently discovered board recording of a concert in Newcastle on December 8th, 1972.

Long absent from streaming music services, King Crimson will also be making a selection of tracks available digitally. Each week for 50 weeks, a new, rare, or alternate take from the band’s catalog will be released digitally and on streaming services. The first of these releases, a version of “21st Century Schizoid Man”, can be heard below.

There’s also 50th anniversary T-shirts and limited edition silk screen prints of Barry Godber’s In the Court of the Crimson King artwork signed and numbered by Robert Fripp himself.

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